Archive for April 2009

Trio Masterclasses

Posted by Susan Tomes on 29 April 2009 under Florestan Trio  •  1 Comment

My trio has just spent two days giving masterclasses to three excellent postgraduate piano trios: the Trio Duecento Corde from Hungary, the Pescatori Trio from Germany, and the Van Halsema Trio who are currently based in London. Each year, the standard of playing seems to get higher, to the point when we’ve jokingly told some [...]

Dragging her bowl

Posted by Susan Tomes on 28 April 2009 under Daily Life  •  Leave a comment

Our tortoiseshell cat Tashi, now nearly 14 years old, has taken to dragging her water bowl around on the wooden floor of the kitchen. From a nearby room we’d occasionally hear a strange, effortful scraping sound from the direction of the kitchen, as though a small convict were moving about in chains. We’d investigate and [...]

A Bengali Romeo

Posted by Susan Tomes on 17 April 2009 under Musings  •  Leave a comment

We went to the Tara Arts Centre in Wandsworth to see ‘People’s Romeo’, a delightful cross-cultural production re-telling Shakespeare’s ‘Romeo and Juliet’ in a simplified form, as might be used by travelling actors in a Bengali market-place. The performance took place in a tiny dark studio. Three musicians, playing Indian instruments, also danced and played [...]

Simon Bolivar Youth Orchestra

Posted by Susan Tomes on 14 April 2009 under Concerts, Inspirations  •  1 Comment

To the Festival Hall this morning with Bob to attend an Open Rehearsal of the Simon Bolivar Youth Orchestra from Venezuela. By the time we got round to asking about tickets for their two London concerts, they had long been sold out. This open rehearsal is our only chance to hear them, and at 10am [...]

The difficulty of being good all the way through

Posted by Susan Tomes on 13 April 2009 under Concerts, Musings  •  Leave a comment

We went to the Orange Tree Theatre to see the premiere of a play, ‘The Story of Vasco’, translated and adapted by Ted Hughes from an original play by Lebanese writer Georges Schehadé. Hughes’ adaptation had never before been performed in its entirety; the director had rescued it from Hughes’s papers in an American university [...]