Archive for November 2009

Beethoven’s questions

Posted by Susan Tomes on 19 November 2009 under Concerts, Daily Life, Florestan Trio, Musings, Travel  •  Leave a comment

For the past few days the trio has been rehearsing intensively. Over the next ten days we have two concerts at the Bath Mozartfest, a fundraising concert and dinner for the Florestan Trust, a concert at the University of Cambridge, a concert in the Wigmore Hall (with a world premiere), and three concerts in the Gulbenkian [...]

A joyful ‘Annie’

Posted by Susan Tomes on 15 November 2009 under Daily Life, Inspirations  •  Leave a comment

What a joy it is to see something being performed with superb commitment as well as style, talent and humour. That’s how we felt about Jane Horrocks and Julian Ovenden, the two stars of ‘Annie Get Your Gun’ at the Young Vic.  I was slightly apprehensive about it because the production had received mixed reviews, [...]

Cambridge Companion to Recorded Music

Posted by Susan Tomes on 14 November 2009 under Books, Daily Life, Musings  •  2 Comments

My copy of the newly-published Cambridge Companion to Recorded Music arrived today along with about 35 other items of post suddenly released from the backlog of the current postal strike. My contribution to the book is just a short article on ‘Learning to Live with Recording’, but it turns out to be the first thing [...]

Coughing in concerts

Posted by Susan Tomes on 12 November 2009 under Concerts, Daily Life, Musings  •  3 Comments

The other night, at the theatre, I was amazed by how freely people in the audience were coughing. At one point, the coughs became so frequent that it was like hearing bull-frogs calling to one another at night from different parts of the swamp. I actually started to count the coughs, which was counter-productive because when [...]

Huw Watkins premiere

Posted by Susan Tomes on 11 November 2009 under Concerts, Daily Life, Florestan Trio, Musings  •  1 Comment

At last the printed score has arrived for the trio by Huw Watkins. We’re giving the world premiere in the Wigmore Hall on November 25.
When the newly published score arrived, I already knew the notes of the piano part, because I’ve been working from an electronic PDF which I printed out on loose A4 pages. [...]