Archive for the ‘Concerts’ Category

Hooray, an actual engagement!

Posted by Susan Tomes on 5 August 2020 under Concerts  •  3 Comments

Believe it or not, I actually have a concert next week, though it will be a ‘closed door’ recording made without an audience. It’s part of the Edinburgh International Festival’s online offering which replaces the programme for this year’s cancelled Festival. A series of  performances by various artists will be filmed and recorded during August […]

Zoom music-making and chamber music

Posted by Susan Tomes on 16 June 2020 under Concerts, Musings  •  3 Comments

Zoom music-making has been a feature of lockdown. Hardly a week passes without someone sending me a link to a recording:  Zoom choirs, Zoom orchestras and ensembles, each performer singing or playing away in their own home and on their own little screen. To create a composite whole, each person usually has to record their […]

Could classical musicians be ‘radically local’?

Posted by Susan Tomes on 9 June 2020 under Concerts, Musings, Travel  •  1 Comment

We’re hearing a lot about the days of heedless international travel being over for classical musicians. In today’s Guardian, Charlotte Higgins does an admirable job of summing up some aspects of the situation. It’s worth remembering that darting about to play in San Francisco one night and Frankfurt the next is quite a recent thing. […]

Why pianists don’t like being called accompanists

Posted by Susan Tomes on 2 June 2020 under Concerts, Musings  •  7 Comments

The other night, after watching the last in the category finals of ‘BBC Young Musician’, I tweeted that I had now watched the wind, brass and string finals and had not once heard them mention the name of any of the pianists who played with the young competitors. My tweet attracted a (for me) high […]

Scotsman Sessions #30: a bit of lockdown music-making

Posted by Susan Tomes on 7 May 2020 under Concerts, Daily Life  •  1 Comment

The Scotsman newspaper is offering readers some lockdown entertainment, or solace, in the form of contributions from various artists who’ve recorded themselves playing, reading poetry, singing, or whatever in their own homes. There’s an accompanying article written by one of the newspaper’s critics; in my case, by music critic David Kettle. My contribution, The Scotsman […]

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