Archive for the ‘Concerts’ Category

Marking Criteria

Posted by Susan Tomes on 6 March 2015 under Concerts, Musings, Travel  •  1 Comment

The Joseph Haydn Competition in Vienna came to an end on Wednesday with a prizewinners’ concert and presentation of prizes by the sponsors and jury. Afterwards, there was a reception hosted by the university. Immediately I was approached by someone with a role in scientific research and evaluation. He wanted to know whether, before the competition began, we the […]

The character of each audience

Posted by Susan Tomes on 18 February 2015 under Concerts, Inspirations, Travel  •  4 Comments

After writing about my preparations for Monday’s concert at Wigmore Hall with Erich Höbarth, I’m delighted to report that we had a wonderful time. In fact, it was one of my most favourite concerts of recent years. Erich was tremendous, and I felt that I was ‘in the zone’, always easier to feel if you know […]

Schubert at Wigmore Hall on Monday

Posted by Susan Tomes on 12 February 2015 under Concerts, Inspirations  •  Leave a comment

It’s getting close now to my concert on Monday 16 Feb at my favourite hall (London’s Wigmore Hall, in case anyone didn’t know) with the marvellous Austrian violinist Erich Höbarth, leader of Quatuor Mosaiques, Concentus Musicus Wien, and an old friend of the Wigmore audience. Our programme is all-Schubert and includes the magnificent three-movement Fantasie, […]

Metaphors, not modulations

Posted by Susan Tomes on 4 February 2015 under Concerts, Musings  •  Leave a comment

I’m pleased to say that my audience for the Beethoven lecture-recital yesterday was much bigger than I or the organisers had anticipated. Extra chairs needed to be put out, and there was a lovely buzz in the room when I came in. It seemed that people were pleased by the prospect of hearing a player’s […]

Beethoven in words and music

Posted by Susan Tomes on 30 January 2015 under Concerts, Musings  •  Leave a comment

I’m preparing for a lunchtime lecture-recital on Tuesday in which I’ve been asked to speak about, and then play, a late Beethoven sonata, the A flat major opus 110. It’s an experiment for all concerned; I’ve performed the sonata before, but have never tried to speak about it publicly, and certainly not during the same […]

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