Archive for the ‘Inspirations’ Category

Exploring the Shelves, 11: Haydn’s little jazz riffs

Posted by Susan Tomes on 12 May 2020 under Inspirations  •  1 Comment

I do have some volumes of Haydn piano sonatas, but I confess I didn’t realise until quite recently that they didn’t contain all his sonatas. In a charity book sale, I came across a slim volume of selected Haydn sonatas which contained a couple of early works I don’t think I’d ever seen or heard. […]

Exploring the shelves, 10: Felix Arndt’s ‘Nola’ of 1915

Posted by Susan Tomes on 5 May 2020 under Daily Life, Inspirations, Musings  •  2 Comments

A sad one today! In the course of reading about the Spanish flu pandemic in 1918, I came across the fact that American composer Felix Arndt had died at the age of only 29 during the second wave of the pandemic in New York.  I couldn’t help being struck by this, because of course New […]

Exploring the Shelves, 9: Chopin’s 4th Ballade

Posted by Susan Tomes on 25 April 2020 under Inspirations  •  Leave a comment

I’m trying to learn some new pieces during this lockdown. My latest project is Chopin’s Fourth Ballade. I’ve half-known it for years, but never tried to learn it properly. It requires quite a big stretch, which I don’t have, and I’ve never been sure I could get my hands round some of the chords at […]

Exploring the Shelves, 8: Mozart’s piano sonatas

Posted by Susan Tomes on 18 April 2020 under Inspirations, Musings  •  3 Comments

Over the past week or two, as a lockdown project, I’ve been playing through all Mozart’s piano sonatas. There are eighteen of them, mostly in three movements. Mozart is my favourite composer. His piano writing is always of a high standard. After all, he was a famous keyboard player, and completely understood how to write […]

Exploring the shelves, 7: mysterious last movements

Posted by Susan Tomes on 15 April 2020 under Inspirations, Musings  •  1 Comment

It’s amazing how often the last movements of multi-movement works are a disappointment. Time and again, my chamber groups would bemoan the fact that the finale of whatever we were rehearsing wasn’t as inspired as the rest of the piece. I once observed that composers could have solved the problem by just not writing last […]