Over the past week or two, as a lockdown project, I’ve been playing through all Mozart’s piano sonatas. There are eighteen of them, mostly in three movements. Mozart is my favourite composer. His piano writing is always of a high standard. After all, he was a famous keyboard player, and completely understood how to write […]

It’s amazing how often the last movements of multi-movement works are a disappointment. Time and again, my chamber groups would bemoan the fact that the finale of whatever we were rehearsing wasn’t as inspired as the rest of the piece. I once observed that composers could have solved the problem by just not writing last […]

A friend has sent me (in the post!) Richard Morrison’s excellent Times article from April 3: ‘Note to artists: it’s not a sign of weakness to be unable to work now.’  This is the link, but The Times is behind a paywall so you can only read it if you’re a subscriber. Richard Morrison says […]

Hardly an unknown piece, of course, but there are aspects of it we don’t often consider. For example, the pedalling! Debussy doesn’t mark any. What are we to make of that? Some composers carefully mark where they want the pedal to be used. Some don’t mark pedal at all. Many rely on the pianist to […]

Over the years I’ve acquired various bits of piano music as gifts when friends were throwing away stuff they never played. That’s how I came to have Edward MacDowell’s Woodland Sketches. Most people know the first number, ‘To a Wild Rose’, but the rest of the set is obscure, at least here in the UK. […]