I did some guest teaching at the University of St Andrews the other day. During one of my sessions, a member of the audience asked an interesting question. I didn’t know the answer and am still thinking about it. He said: ‘I have some modern recordings of Baroque music. The orchestra plays with a lot […]

As the Brexit story accelerates, musicians are still in the dark about what will happen to their freedom of movement after we leave the EU. For two and a half years now I have been listening to colleagues and students worrying about whether they will still be able to study here, or if they are […]

The last live music I heard in 2018, outside my home, was some excellent jazz in a city bar (pianist Brian Kellock and bassist Kenny Ellis). The bar was buzzing with people enjoying long lunches and toasting the end of the year. Crockery clattered and the coffee machine hissed. The music was merrily applauded, but […]

My first American review of Speaking the Piano has just appeared in American Music Teacher (December 2018/Jan 2019). It’s a relief to me to have the approval of professional teachers, for as I explain in the book my own experience of teaching has evolved slowly and organically out of my activities as a performer. I […]

In my new book Speaking the Piano, there’s a chapter about the time I went to America in the 1980s to learn jazz piano. I loved learning about jazz, but didn’t find a way into the jazz world at that time. One of the reasons was my feeling of discomfort at being a female instrumentalist […]