Yesterday I had a message from someone who organises the masterclasses I teach at a university. This year she told me that there won’t be any masterclasses. Students don’t like them and don’t see why they should have to attend them if the music being taught is ‘not relevant’ to them. Masterclasses are an ‘add-on’, […]

Articles and letters in The Guardian recently have explored why some of today’s singers suffer from vocal problems, develop nodules on their vocal cords from singing so loudly, etc.  Curiously, the use of powerful amplification has not taken away the need to sing loudly: rather, it seems to create a vicious circle in which everything […]

Interesting discussions with friends about ‘concert performances’ of operas they’ve attended at this year’s Edinburgh Festival. I have been to two: Wagner’s ‘Die Walküre’ and Monteverdi’s ‘L’Incoronazione di Poppea’, both excellent, and I’ve been told that Britten’s ‘Peter Grimes’ was tremendous as well. We found it intriguing that these operas, performed without a conventional theatre […]

Last night I went to a stupendous concert performance of Wagner’s ‘Die Walküre’ at the Edinburgh International Festival. (Thank you, Amber Wagner, Simon O’Neill, Christine Guerke, Bryn Terfel, Karen Cargill, Matthew Rose, conductor Sir Andrew Davis and the RSNO!) The two intervals were kept to a minimum, but the performance still lasted five hours and […]

The Edinburgh Festival and ‘Fringe’ begin this week and the city is plastered with publicity posters. The trend towards anti-glamour continues. Even if a performer wants to look glamorous, they are portrayed in a jarring context. Someone in a beautiful suit lounges in the doorway of a graffiti-covered industrial warehouse. Actors look away from the […]