Archive for the ‘Reviews’ Category

Small is beautiful

Posted by Susan Tomes on 11 December 2009 under Concerts, Daily Life, Musings, Reviews  •  Leave a comment

Still feeling cross that the Guardian, in its review of classical music in the past decade, did not say a single word about chamber music. Guardian writer Tom Service devoted almost his whole summary to opera and orchestral music. This happens year after year, no matter who the writer is. Each Christmas I have to […]

Gramophone magazine

Posted by Susan Tomes on 11 December 2009 under Daily Life, Florestan Trio, Reviews  •  Leave a comment

At last Gramophone, the UK’s leading classical record magazine, has reviewed the Florestan Trio’s latest Hyperion disc of Haydn Trios (volume 2). Here’s an extract: ‘The Florestan Trio display their customary virtuosity, elegance and caprice, once again capturing the full emotional range of what may, on the surface, appear to be merely domestic entertainment music… Peter Quantrill […]

Trumpet, my own, blowing

Posted by Susan Tomes on 2 December 2009 under Concerts, Florestan Trio, Reviews  •  Leave a comment

When I got back from Lisbon this afternoon, I looked at my website statistics and saw that an awful lot of people had looked at the website on Saturday while I was away. I realised later that it must have been because of the Guardian’s heart-warming review that day of the Florestan Trio’s Wigmore Hall concert. ‘Every […]

Bushes and briars

Posted by Susan Tomes on 23 November 2009 under Florestan Trio, Reviews  •  1 Comment

The critics of Gramophone magazine have been choosing their favourite discs of the year for the December issue, and Peter Quantrill has chosen the Florestan Trio’s latest disc, of Haydn Trios (volume 2), as his personal favourite of 2009.  He writes: ‘I can’t remember a disc of more good, serious fun than the envoi to Haydn […]

‘Alison’s House’

Posted by Susan Tomes on 19 October 2009 under Daily Life, Musings, Reviews  •  Leave a comment

It’s a double-edged feeling when you come across something superb by someone you’ve never heard of. Happy to discover them, but sad that they seem to have fallen through the net of history. That’s how we felt on seeing ‘Alison’s House’, by the American playwright Susan Glaspell, at the Orange Tree Theatre in Richmond. We’d […]