On Saturday we attended the last night of Mark Morris Dance Group performing ‘L’Allegro, Il Penseroso ed il Moderato’ at the Coliseum. Readers will remember that Mark Morris is a hero of mine. Dance critics were in raptures about this show, but I still think that Mark Morris’s choreography is a special treat for musicians. […]

A nice surprise today: Bob came back from a meeting with a magazine page brought along by a colleague. It was from the February issue of the leading French record magazine Diapason, one of whose editors had taken the new Cambridge Companion to Recorded Music as the subject of his editorial. The Cambridge Companion, an […]

A most unexpected and heartwarming New Year gift arrived today in the form of a comment made in a Times book review by the distinguished cellist Natalie Clein. Reviewing a new book on Bach’s cello suites, she muses on the difficulty of writing about music, and says, ‘The most successful writers are often musicians themselves […]

Still feeling cross that the Guardian, in its review of classical music in the past decade, did not say a single word about chamber music. Guardian writer Tom Service devoted almost his whole summary to opera and orchestral music. This happens year after year, no matter who the writer is. Each Christmas I have to […]

At last Gramophone, the UK’s leading classical record magazine, has reviewed the Florestan Trio’s latest Hyperion disc of Haydn Trios (volume 2). Here’s an extract: ‘The Florestan Trio display their customary virtuosity, elegance and caprice, once again capturing the full emotional range of what may, on the surface, appear to be merely domestic entertainment music… Peter Quantrill […]