The first review of my new book has appeared. I’m delighted to find it is ‘Editor’s Choice’ in this month’s Classical Music with a five-star review: ‘Those bewitched by Tomes’s three previous books (two published by the clearly perceptive Boydell Press) can prepare for bewitchment all over again. The title borrows from the thinking of […]

A nice thing to happen at the end of the year: music critic Kate Molleson, who writes for the Guardian as well as the Herald, has mentioned me at the start of her round-up of the year’s musical highlights in Scotland. It brought back good memories of my series with Erich Hoebarth, during which we […]

‘At the Guildhall [during the Bath Mozartfest], pianist Susan Tomes joined forces with the Viennese fiddler Erich Hoebarth for an all-Mozart programme of four sonatas for ‘fortepiano with violin accompaniment’ and one of his most significant fragments, Fantasia in C minor for solo piano … While the sonatas with violin – (K307, 376, 378, 379) […]

More reviews of my book ‘Out of Silence’, translated into Japanese by Noriko Ogawa, have arrived from Tokyo. I must say these Japanese reviews are absolutely my favourites so far. Their flavour suggests Noriko was right when she said that Japanese people would be on my wavelength, or vice versa. I particularly treasure a review […]

The Japanese music magazine ‘Ongaku no tomo’ (Friends of Music) has published this review of my book ‘Out of Silence’, translated by Noriko Ogawa. The delightful translation of the review is by a friend in Japan: ‘Susan Tomes sets a high values on encounters with audience, landscape, history, nature and so on at her destination. […]