‘Famously opaque world of classical music’

The other day I read a review in The Guardian of a book, ‘In Good Hands’, by conductor Alice Farnham, about the art and craft of conducting. I haven’t read the book, but I was struck by several phrases the reviewer, Caroline Crampton, used when talking about classical music:

The conductor stands ‘with their back to us, dancing and waving their arms in a series of incomprehensible gestures’

…’this secretive profession’

…’the eccentric world of classical music’

…’the famously opaque world of classical music’

Naturally, as a musician, I don’t like to think that the world of classical music seems incomprehensible, eccentric, secretive, or famously opaque. I haven’t experienced it as any of those things – not even in the beginning, when I was starting to learn the piano. It seemed enticing and possible, a world opening out before me.

Yet I must accept that it can seem opaque to people not involved in it. What can be done? So many of my musical colleagues have been engaged in outreach work and educational concerts for years and years. They subsidise concert tickets for young people. They include children’s concerts in their own festivals. They teach local youngsters.

We are, however, battling against an educational ethos which doesn’t familiarise children with classical music as a matter of course. So it probably seems new and strange to young people when musicians come to their school to play them something, or when they are brought to a classical concert. If there is no follow-through by the educational establishment, the experience will likely remain a tantalising or perhaps merely a puzzling glimpse of something unfamiliar.

If an experienced book reviewer can refer to ‘the famously opaque world of classical music’, we need to do some serious thinking about how the opaque can be made clear and sparkling.

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This entry was posted on Friday 20th January 2023 at 12:50pm and is filed under Books, Musings, Reviews. You can leave a response, or trackback from your own site.

3 Responses to “‘Famously opaque world of classical music’”

  1. Mary Cohen said on

    So disappointing to hear these comments from someone who has clearly never been given the chance to ‘enter’ the early stages of music making and appreciation. Like your friends and colleagues, I’ve been battling away trying to make music accessible in places where it’s not necessarily even thought about. We have to keep chipping away!

  2. Debbie Wilson said on

    I wonder why, also, the Guardian is giving such a book out for review to someone who clearly has little experience of music? Thinking also of ‘Tar’, it is pretty worrying that there is such explicit antagonism to classical music. Seen as arcane and elitist. Dispiriting. But yes, we must keep on educating!

  3. Mike Williams said on

    Ah, the famously opaque world of secretic, eccentric reviewers!

    Fifty years ago I was learning about classical music from umpteen books about composers in the children’s library of a small Australian town. Now we have a global resource of dedicated arts channels, written materials (such as this blog!) and endless explanatory videos on YouTube. I can follow the lives of working musicians on blogs, Instagram, Tiktok and every other social media platform.

    If this is opacity, then I can only conclude that Ms Crampton lives in a tiny bubble.

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