The Coronation of King Charles III came in the same week that we heard the organisation Psappha, which promotes new music, had been forced to close because of funding problems. This in itself followed hard on the heels of threats to close the BBC Singers and reduce...
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Last week I was in Vienna for a few days of Easter holiday. We managed to pack in lots of music-related things: a concert at the Musikverein, an evening at the State Opera, a visit to one of Mozart's apartments, a visit to Haydn's house in what was the village of...
This week I've been trying to find out what happened to the album of Mozart piano and violin sonatas that the wonderful Viennese violinist Erich Höbarth and I made in 2012. (That's us in the photo.) It was compiled from live recordings of a concert series we performed...
A memorable evening last night at Wigmore Hall. We’ve played in a few less-than-ideal acoustics recently (some too resonant, some too dry) so it was a real pleasure to hear the sound ringing through the air of the Wigmore Hall. Such an acoustic actually makes the...
We went to Cambridge to play a concert in Peterhouse, the oldest and smallest of Cambridge University’s colleges. Our travel plans had gone awry, and we arrived an hour late and a bit agitated. Dusk was falling, and by the time we finished our rehearsal it was dark....
For the past few days the trio has been rehearsing intensively. Over the next ten days we have two concerts at the Bath Mozartfest, a fundraising concert and dinner for the Florestan Trust, a concert at the University of Cambridge, a concert in the Wigmore Hall (with...
The other night, at the theatre, I was amazed by how freely people in the audience were coughing. At one point, the coughs became so frequent that it was like hearing bull-frogs calling to one another at night from different parts of the swamp. I actually started to...
At last the printed score has arrived for the trio by Huw Watkins. We’re giving the world premiere in the Wigmore Hall on November 25. When the newly published score arrived, I already knew the notes of the piano part, because I’ve been working from an electronic PDF...
I’ve just realised that this is my hundredth blog post on this website. I am a centenarian! To celebrate, here’s a sweet story I heard from Mark Morris when I attended his question-and-answer session the other night at Sadler’s Wells. He was complaining about someone...
Yesterday I was astounded to hear a golfer talking on the radio about the current trend whereby competitors in golf championships are ferried from tee to green in little buggies. When asked whether it was really so hard to walk that short distance, the golfer replied...
One of the professors at the RSAMD said a very interesting thing when I was there the other day. We were talking about the difference that the existence of recordings has made to learning new works. He said that it's quite common for his students to come to their...
Fascinating article in today’s Guardian about the hidden antagonism which some top sportsmen feel, or come to feel, towards their chosen sport. It seems they’re reluctant to voice such feelings because they know the general public regards them as fortunate beyond...
We had dinner last night with a friend who plays professionally in a string quartet. He’d been coaching a young string quartet from Paris. They got to talking about rehearsal venues, always a vexing problem for chamber groups and one that I and my friends have never...
In the past few days I’ve spent some time studying scores of pieces I’m going to be teaching in a masterclass at the RSAMD this week. The date has been in my diary for a long time, but because the academic year only began a couple of weeks ago, it was impossible to...
To Steinway Hall in London, to choose a piano for the Florestan Trio’s Hyperion recording of Shostakovich next January. Whenever I'm able to select an piano, I have to do my research well ahead of time, because the best ones get booked up months in advance. Each...