'Teaching' Blog Post Archive
More about Radu Lupu

More about Radu Lupu

A couple of readers said they'd like to hear more about Radu Lupu. I only met him a few times and didn't know him well, but I vividly remember the impression he made. When I went for my lessons, I was probably focusing on trying to play each phrase as beautifully as I...

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Piano Power

Piano Power

Recently I've heard or coached a number of amateur pianists whose playing I haven't heard for 18 months, or before All This started. I had been afraid that everyone's playing would have fallen apart, but actually my impression was that lockdown has enhanced rather...

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Motivation

Motivation

I've spent the past week teaching a piano course in the south of France. Stormy weather accompanied our music-making, and the temperatures were unseasonally low, though we were sometimes grateful that cooler weather made it easier to work. My class of pianists was a...

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The composer’s markings

In a lot of the teaching I've been doing recently, one theme has been running through the lessons. I find myself pointing out to one person after another that they are not actually doing what the composer asked. I don't mean in terms of notes - those are usually fine...

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BBC Young Musician

Here it is again, the heart-warming parade of talented young musicians competing to be BBC Young Musician of the Year. With every passing year it seems more remarkable that there is such a wellspring of young talent directed at classical music. It's tremendously...

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Louise Farrenc’s piano music

I've been learning the piano part of the first piano quintet by Louise Farrenc, a 19th-century French woman composer who enjoyed a fine reputation in her day as a concert pianist and teacher as well as a composer. Unfortunately, at a time when the French music-loving...

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Thank you to my masterclass participants

Thank you to my masterclass participants

                      Many thanks to everyone who took part in my London masterclasses for playing such a wonderful concert last night! Left to right: me; Perceval Gilles, Pierre-Kaloyann Atanassov, Sarah Sultan...

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This year’s London masterclasses, 6-7 March

This year’s London masterclasses, 6-7 March

We're getting closer now to my London masterclasses in 'the art of piano chamber music', this year on 6 and 7 March at the beautiful home of Bob and Elisabeth Boas. Details of the classes are on the 'Concerts and Events' tab of my homepage. It's free to come and...

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A visit to Basel

I'm getting ready for a trip to the Hochschule fuer Musik in Basel, where I'm giving three days of chamber music masterclasses on Sunday, Monday and Tuesday. If you should be reading this in Basel, the classes are open to the public and take place from 10am-6pm each...

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Unusual challenges on the platform

I was doing some teaching at Oxford University the other day, and we were discussing the challenges of making a good entrance on to the concert platform when giving a recital as part of your exams. I was discoursing on the need for calm or confidence, and trying to...

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Messages out of the blue

Messages out of the blue

Here I am talking with a talented young pianist at the very enjoyable masterclass I gave at Bowdoin College in Maine a few days ago. It was enjoyable partly because of the students and partly because of the audience, which included some townsfolk not used to coming to...

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One chord, two chords, three … or more

Lou Reed of the Velvet Underground, who died this week, famously said (tongue in cheek, I suppose) that when you're composing a song, 'one chord is fine, two chords are pushing it. Three chords and you're into jazz'. I had that quote in my mind last night as I...

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Off to a summer festival (fingers crossed)

Off to a summer festival (fingers crossed)

I'm off to Cerne Abbas in Dorset for another of the lovely chamber music festivals run very successfully each year by the Gaudier Ensemble. Concerts are on 8-11 August inclusive. As far as I know, most concerts are sold out, but if you live nearby it's always worth...

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Jealousy

I'm coming towards the end of my week in Fiesole, a week of baking heat during which I have realised that much of the music we've been studying must have been written in a cooler climate. In this kind of intense heat we can hardly face playing, or even hearing, some...

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