Today's blog post is on quite a niche subject. When I was writing a short biography of pianist Sophie Menter (1846-1912) for Women and the Piano, I mentioned some of the extravagant things her fans used to do to show their adoration. When she played in Copenhagen in...
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When I was playing in Birmingham a couple of weeks ago, I had an interesting conversation with a student there. (Birmingham University is rightly protective of its students' identities, so I won't name her.) She was studying aspects of the history of women playing...
News of the death of the wonderful comic actress Prunella Scales at the age of 93 has reminded me of a little anecdote in my first book, Beyond the Notes, in the section about touring Japan with the Florestan Trio in 2000. Twenty-five years ago! For context, I should...
At last there is more commentary about the challenges facing freelance artists. Yesterday there was a strongly-worded cry for help in The Observer from several leading musicians, warning that if the UK's musicians are not supported, we could lose them for ever. I have...
In response to yesterday's outrage about an HM Government ad showing 'Fatima', a young ballet dancer as an example of someone who might switch to 'working in cyber', I'm posting an excerpt from 'J is for Job (not a proper)', from my book A Musician's Alphabet (Faber,...
So the UK Chancellor, Rishi Sunak, has suggested that musicians and other creative artists may need to re-train and look for other opportunities as a result of the coronavirus pandemic. “I can’t pretend that everyone can do exactly the same job that they were doing at...
On Monday, cellist Philip Higham and I played one of the first post-lockdown concerts for a socially distanced live audience at Wigmore Hall (see photo). At first, we had been told that only 56 people would be allowed in the audience, but the rules changed and we were...
On Monday, 14 September at 7.30pm, cellist Philip Higham and I will be stepping in at short notice to play a duo recital at Wigmore Hall in London. We're replacing two artists caught up in quarantine rules. With countries hopping on and off the quarantine list, the...
Since lockdown, I've only had the chance to do one concert. It was a special one, though! - the Edinburgh Festival's Chamber Soundscapes online series. Although there was no audience, the performance took place under concert conditions. In five months of lockdown, I...
Yesterday Philip Higham and I recorded our programme for the Edinburgh International Festival's Chamber Soundscapes series. Music by Nadia Boulanger, Martinu, Suk, Debussy and Beethoven. Our performance was relayed through speakers in Princes St Gardens at lunchtime...
Believe it or not, I actually have a concert next week, though it will be a 'closed door' recording made without an audience. It's part of the Edinburgh International Festival's online offering which replaces the programme for this year's cancelled Festival. A series...
Zoom music-making has been a feature of lockdown. Hardly a week passes without someone sending me a link to a recording: Zoom choirs, Zoom orchestras and ensembles, each performer singing or playing away in their own home and on their own little screen. To create a...
We're hearing a lot about the days of heedless international travel being over for classical musicians. In today's Guardian, Charlotte Higgins does an admirable job of summing up some aspects of the situation. It's worth remembering that darting about to play in San...
The other night, after watching the last in the category finals of 'BBC Young Musician', I tweeted that I had now watched the wind, brass and string finals and had not once heard them mention the name of any of the pianists who played with the young competitors. My...
The Scotsman newspaper is offering readers some lockdown entertainment, or solace, in the form of contributions from various artists who've recorded themselves playing, reading poetry, singing, or whatever in their own homes. There's an accompanying article written by...