I was at Steinway Hall in London the other day to try some pianos for a recording project later this year (of which more news soon). Chief technician Ulrich Gerharz had helped me - after discussing the repertoire and the venue - to whittle the choice down to two...
Interested in what Susan has to say about all things classical music? Subscribe below and whenever Susan writes a new blog post you will be notified by email. Simple!
When I was in Cambridge recently I went to see the photos taken last year by photographer Jooney Woodward to mark fifty years of women undergraduates at King's College Cambridge. Last time I saw these photos, in June 2023, they were in the Chapel (I wrote about the...
On Sunday of this week I'll be playing a programme of piano music by historical women pianists at the London International Piano Festival at King's Place. Mine is the closing concert of the festival, at 3pm on 6th October. If you live in or near London, please...
This week I came across the video made by cellist Felix Wurman about Domus at the beginning of the group's career. We were trying to publicise our concerts in our portable concert hall, a large geodesic dome which the players assembled out of aluminium tubes, putting...
Yesterday I was in Perth, recording Mozart and Beethoven quintets for piano and wind instruments with principal players of the Royal Scottish National Orchestra - Adrian Wilson, Timothy Orpen, David Hubbard and Chris Gough. The performance will be relayed as a Radio 3...
It's now a whole year since concerts started being cancelled in anticipation of the pandemic. I remember very well that I had been to a birthday coffee party where the extended family sat around a big circular glass-topped table while our reflections ate scones and...
One of our regular walks in the nearby hills takes us past a cornfield, which we discovered in the first lockdown. It was Spring then, and the field was softly green. We were thrilled to see larks emerging from their hiding-places among the rows of corn, rising up...
I keep coming across articles about the importance of revising our approach to international travel. For the sake of the environment as well as public health, we're told, we should be working towards the possibility of doing everything in the places where we live....
Now that Brexit has happened and the UK is out of the European Union, I have been reflecting on the fact that I have seen the whole arc of our membership of the EU from start to finish. I was a student when we joined what was then the European Economic Community and...
I was half-listening to the radio this morning when they were talking about fishing rights. The concept of 'zonal attachment' was being explained. I learned that this was a new and scientific way of approaching the issue of fishing rights. Fish move around; from year...
On Monday, cellist Philip Higham and I played one of the first post-lockdown concerts for a socially distanced live audience at Wigmore Hall (see photo). At first, we had been told that only 56 people would be allowed in the audience, but the rules changed and we were...
On Monday, 14 September at 7.30pm, cellist Philip Higham and I will be stepping in at short notice to play a duo recital at Wigmore Hall in London. We're replacing two artists caught up in quarantine rules. With countries hopping on and off the quarantine list, the...
At this time in Edinburgh we're usually starting to experience the surge of visitors arriving for the city's festivals - the Edinburgh International Festival, the Fringe and the Book Festival (plus a host of minor festivalettes). But all have been cancelled, or at...
We're hearing a lot about the days of heedless international travel being over for classical musicians. In today's Guardian, Charlotte Higgins does an admirable job of summing up some aspects of the situation. It's worth remembering that darting about to play in San...
Everyone sees Brexit through their own lens. This is mine. When I was small, playing the piano was my favourite thing. I had heard that Mozart and Schubert came from Austria. Bach and Beethoven and Schumann came from Germany. Debussy and Ravel came from France. And so...