I mentioned last weekend that I’ve been trying to learn Chopin’s fourth ballade, a wonderful piece of music although not easy to master. After some days of quite intensive effort, I felt like having a rest from it. Some parts of it are very difficult, and day by day they didn’t seem to be getting […]

A music-loving friend and I were discussing the prospect of concerts resuming after lockdown. It might be months away, but most musicians are eagerly, indeed desperately looking forward to this point. ‘Trouble is’, said my friend, ‘I might not feel all that confident about going back into a concert hall after this.’ I asked why. […]

Over the past week or two, as a lockdown project, I’ve been playing through all Mozart’s piano sonatas. There are eighteen of them, mostly in three movements. Mozart is my favourite composer. His piano writing is always of a high standard. After all, he was a famous keyboard player, and completely understood how to write […]

It’s amazing how often the last movements of multi-movement works are a disappointment. Time and again, my chamber groups would bemoan the fact that the finale of whatever we were rehearsing wasn’t as inspired as the rest of the piece. I once observed that composers could have solved the problem by just not writing last […]

A friend has sent me (in the post!) Richard Morrison’s excellent Times article from April 3: ‘Note to artists: it’s not a sign of weakness to be unable to work now.’  This is the link, but The Times is behind a paywall so you can only read it if you’re a subscriber. Richard Morrison says […]