I have been going to events at the Edinburgh Jazz Festival. There seems to be a lot of overlap between the audiences, because I keep seeing the same faces. It's interesting to observe the effects that different performers have on the audiences. Some performers banter...
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A friend and I have been discussing the career of a mutual friend who died recently. He was a fabulous musician who wasn't as well known as he should have been. Writers and visual artists can stay put in the place where they choose to live, and create their work...
I have been keeping half an eye on the 2025 Van Cliburn piano competition in Texas, partly because when I was writing Women and the Piano I did a fair amount of research into the gender disparity one can see in the lists of piano competition prizewinners around the...
I've just finished reading James Rhodes's book Instrumental. Nobody can put down the book without feeling intense sympathy for him and admiration for the way he's turned his traumatic experiences into positive motivation for life as a concert pianist. No-one can doubt...
I've been looking forward to performing Beethoven's song cycle 'An die ferne Geliebte' with tenor Jamie MacDougall next week at Glasgow University's lunchtime concert series. Admission to this popular series is free by the way! Unfortunately Jamie has had to pull out...
On Tuesday 13 October at 1pm I'm giving a lecture-recital about Beethoven's opus 109 piano sonata at the Brunton Theatre in Musselburgh, on the edge of Edinburgh. Preparing for this event has taken an embarrassingly long time. Practising the sonata itself is one...
I haven't written anything here for a while because I've been away at the International Musicians' Seminar 'Open Chamber Music' in Prussia Cove, Cornwall. We had a week of rehearsals in Prussia Cove (see photo), and then eight of us did a week of touring, giving five...
A reader has reproached me for not including the classic Richard Tauber recording in my previous blog post about different versions of Léhar's aria 'Dein ist mein ganzes Herz'. He points out that the composer actually wrote with Tauber's voice in mind, so mine was...
One of the highlights of Saturday's 'Last Night of the Proms' was Jonas Kaufmann singing 'Dein ist mein ganzes Herz' from Franz Léhar's operetta 'The Land of Smiles' (Das Land des Laechelns). Oh my goodness, what a song! So beautifully constructed, such clever and...
The news that Alex Ross is now the only full-time classical music critic on an American magazine has got me thinking about the changing status of reviews. Gone are the days when an 'important' concert would routinely be reviewed by all the major papers. When I was a...
I went to a concert recently (I won't say where or when). In the group was an older musician playing quite a prominent role on a string instrument. Unfortunately his control of pitch had become unreliable. He was smiling and concentrating, trying to play the right...
Just back from the 25th anniversary festival run by the Gaudier Ensemble in the lovely old Dorset village of Cerne Abbas (in the photo I'm rehearsing a Mozart piano concerto with (from L to R) Marieke Blankestijn, Lesley Hatfield, Iris Juda, Steve Williams and...
On Friday I played Mozart's K414 concerto with the Aurea Quartet in the Cottier Festival in Glasgow. Today's Herald carries a delightful review by senior critic Michael Tumelty; as the Herald Online is sometimes tricky for non-subscribers to access, here is the...
Today's Herald carries a review, by senior critic Michael Tumelty, of Friday's Cottier Chamber Project opening night. As the review is only accessible online to subscribers, I'll post it here. Susan Tomes/Daniel's Beard, Cottier's Theatre, Glasgow 'THERE was a...
Sad news about the death of Peter Cropper, inspirational first violinist of the Lindsay Quartet. I didn't know Peter so well myself, but always felt connected to the Lindsays because the original viola player of my group Domus, Robin Ireland, moved to become the viola...