I've been reading An Angel at my Table, the autobiography of New Zealand writer Janet Frame. It's an unusual and absorbing read. Janet Frame grew up without much access to music, but when she first came across classical music she loved it. Gradually she gathered some...
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Tickets have just gone on sale for my lunchtime recital at Wigmore Hall in London on Friday April 17. Click here for booking information. As you'll read on the Wigmore Hall website, the concert marks the publication of my book on the history of the nocturne. To give a...
I've returned from London, where I recorded an album for Hyperion of piano music by some of the women featured in my book. I had a wonderful recording team. Incredibly, it's now 40 years since I first recorded an album with producer Andrew Keener, now a doyen of the...
A wonderful night on Monday at the Queen's Hall playing Schubert with violinist Erich Höbarth (see photo). We were pleasantly surprised by the size of the audience and even more so by their warmth. After such a long build-up to this particular concert it felt very...
A great weekend of music-making in Perth Concert Hall with the Quatuor Mosaiques came to an end yesterday with fabulous five-star reviews in The Herald and The Scotsman. During the residency we had the privilege of staying in Methven Castle with its delightful...
Last Saturday there was a lovely article by Ken Walton in The Scotsman weekend magazine about my upcoming concerts with the Quatuor Mosaiques in Perth, and with Erich Höbarth (pictured with me) in Edinburgh. Here it is for anyone who'd like to read it. For some...
An exciting week lies ahead, with a whole cluster of works - nine, in fact - to perform in the space of four days. I'm doing a residency with the wonderful period-instrument quartet, Quatuor Mosaiques, in Perth Concert Hall (in Scotland, before any Australians start...
Last week I played a lunchtime recital in Aberdeen, the first time I'd played in the city for ages. I took a train early enough to allow me to see sunrise over the Firth of Forth, followed by a spectacular curve around the coastline of Fife as the first light was...
It's hard to keep up with changing perceptions in the world of music. We classical musicians are used to being the butt of complaints that our concerts are off-putting because of their focus on accuracy and daunting accomplishment. Unfortunately there's no way round...
I have been haunted this week by articles about the New York collaboration between 'performance artist' Marina Abramovic and pianist Igor Levit. You can read all about it here. Basically, Marina Abramovic seeks to 'get the audience into a different state of mind' in...
While baking a cake this morning, I listened to an excellent BBC Radio 4 programme, 'The Joy of 9 to 5', about managers. Presenter Lucy Kellaway investigated what managers actually do, and introduced us to some new approaches to management, emanating in particular...
I've just finished reading James Rhodes's book Instrumental. Nobody can put down the book without feeling intense sympathy for him and admiration for the way he's turned his traumatic experiences into positive motivation for life as a concert pianist. No-one can doubt...
I've been looking forward to performing Beethoven's song cycle 'An die ferne Geliebte' with tenor Jamie MacDougall next week at Glasgow University's lunchtime concert series. Admission to this popular series is free by the way! Unfortunately Jamie has had to pull out...
On Tuesday 13 October at 1pm I'm giving a lecture-recital about Beethoven's opus 109 piano sonata at the Brunton Theatre in Musselburgh, on the edge of Edinburgh. Preparing for this event has taken an embarrassingly long time. Practising the sonata itself is one...
I haven't written anything here for a while because I've been away at the International Musicians' Seminar 'Open Chamber Music' in Prussia Cove, Cornwall. We had a week of rehearsals in Prussia Cove (see photo), and then eight of us did a week of touring, giving five...