Tickets have just gone on sale for my lunchtime recital at Wigmore Hall in London on Friday April 17. Click here for booking information. As you'll read on the Wigmore Hall website, the concert marks the publication of my book on the history of the nocturne. To give a...
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I've returned from London, where I recorded an album for Hyperion of piano music by some of the women featured in my book. I had a wonderful recording team. Incredibly, it's now 40 years since I first recorded an album with producer Andrew Keener, now a doyen of the...
Today's blog post is on quite a niche subject. When I was writing a short biography of pianist Sophie Menter (1846-1912) for Women and the Piano, I mentioned some of the extravagant things her fans used to do to show their adoration. When she played in Copenhagen in...
A reader has reproached me for not including the classic Richard Tauber recording in my previous blog post about different versions of Léhar's aria 'Dein ist mein ganzes Herz'. He points out that the composer actually wrote with Tauber's voice in mind, so mine was...
One of the highlights of Saturday's 'Last Night of the Proms' was Jonas Kaufmann singing 'Dein ist mein ganzes Herz' from Franz Léhar's operetta 'The Land of Smiles' (Das Land des Laechelns). Oh my goodness, what a song! So beautifully constructed, such clever and...
The news that Alex Ross is now the only full-time classical music critic on an American magazine has got me thinking about the changing status of reviews. Gone are the days when an 'important' concert would routinely be reviewed by all the major papers. When I was a...
I went to a concert recently (I won't say where or when). In the group was an older musician playing quite a prominent role on a string instrument. Unfortunately his control of pitch had become unreliable. He was smiling and concentrating, trying to play the right...
Just back from the 25th anniversary festival run by the Gaudier Ensemble in the lovely old Dorset village of Cerne Abbas (in the photo I'm rehearsing a Mozart piano concerto with (from L to R) Marieke Blankestijn, Lesley Hatfield, Iris Juda, Steve Williams and...
On Friday I played Mozart's K414 concerto with the Aurea Quartet in the Cottier Festival in Glasgow. Today's Herald carries a delightful review by senior critic Michael Tumelty; as the Herald Online is sometimes tricky for non-subscribers to access, here is the...
Today's Herald carries a review, by senior critic Michael Tumelty, of Friday's Cottier Chamber Project opening night. As the review is only accessible online to subscribers, I'll post it here. Susan Tomes/Daniel's Beard, Cottier's Theatre, Glasgow 'THERE was a...
Sad news about the death of Peter Cropper, inspirational first violinist of the Lindsay Quartet. I didn't know Peter so well myself, but always felt connected to the Lindsays because the original viola player of my group Domus, Robin Ireland, moved to become the viola...
There's been quite a lot written lately about the need for musicians to 'be their own promoters' and organise their own concerts. In the face of declining opportunities for classical music, many musicians have embraced the idea of putting on their own concerts and...
Letter from a reader who mentions that he rarely goes to concerts these days because many performers are there as a result of winning competitions, and he finds that competition winners are usually, like Monty Python's celebrated accountant, 'too boring to be of...
I've been rehearsing Judith Weir's 'Airs from Another Planet', a superb sextet for piano and wind instruments (in this case, the wind players of the chamber group Daniel's Beard). It's for the opening concert of the Cottier Chamber Project in Glasgow on 5 June....
The Joseph Haydn Competition in Vienna came to an end on Wednesday with a prizewinners' concert and presentation of prizes by the sponsors and jury. Afterwards, there was a reception hosted by the university. Immediately I was approached by someone with a role in...