News of the death of the wonderful comic actress Prunella Scales at the age of 93 has reminded me of a little anecdote in my first book, Beyond the Notes, in the section about touring Japan with the Florestan Trio in 2000. Twenty-five years ago! For context, I should...
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On Wednesday I played a solo recital in Ambleside Church as part of the Lake District Summer Music festival. My programme contained six pieces by the female pianist-composers whose work I have been performing in the past couple of years. In the context, I was touched...
I've been remembering a little conversation which happened years ago when a fellow musician was giving me a lift to the Tube station in London. I was on my way to play a concert. As I was getting out of the car, he said to me: 'Have you got your music?' 'Yes.' 'Have...
Just back from the 25th anniversary festival run by the Gaudier Ensemble in the lovely old Dorset village of Cerne Abbas (in the photo I'm rehearsing a Mozart piano concerto with (from L to R) Marieke Blankestijn, Lesley Hatfield, Iris Juda, Steve Williams and...
On Friday I played Mozart's K414 concerto with the Aurea Quartet in the Cottier Festival in Glasgow. Today's Herald carries a delightful review by senior critic Michael Tumelty; as the Herald Online is sometimes tricky for non-subscribers to access, here is the...
Today's Herald carries a review, by senior critic Michael Tumelty, of Friday's Cottier Chamber Project opening night. As the review is only accessible online to subscribers, I'll post it here. Susan Tomes/Daniel's Beard, Cottier's Theatre, Glasgow 'THERE was a...
Sad news about the death of Peter Cropper, inspirational first violinist of the Lindsay Quartet. I didn't know Peter so well myself, but always felt connected to the Lindsays because the original viola player of my group Domus, Robin Ireland, moved to become the viola...
There's been quite a lot written lately about the need for musicians to 'be their own promoters' and organise their own concerts. In the face of declining opportunities for classical music, many musicians have embraced the idea of putting on their own concerts and...
Letter from a reader who mentions that he rarely goes to concerts these days because many performers are there as a result of winning competitions, and he finds that competition winners are usually, like Monty Python's celebrated accountant, 'too boring to be of...
I've been rehearsing Judith Weir's 'Airs from Another Planet', a superb sextet for piano and wind instruments (in this case, the wind players of the chamber group Daniel's Beard). It's for the opening concert of the Cottier Chamber Project in Glasgow on 5 June....
The Joseph Haydn Competition in Vienna came to an end on Wednesday with a prizewinners' concert and presentation of prizes by the sponsors and jury. Afterwards, there was a reception hosted by the university. Immediately I was approached by someone with a role in...
After writing about my preparations for Monday's concert at Wigmore Hall with Erich Höbarth, I'm delighted to report that we had a wonderful time. In fact, it was one of my most favourite concerts of recent years. Erich was tremendous, and I felt that I was 'in the...
It's getting close now to my concert on Monday 16 Feb at my favourite hall (London's Wigmore Hall, in case anyone didn't know) with the marvellous Austrian violinist Erich Höbarth, leader of Quatuor Mosaiques, Concentus Musicus Wien, and an old friend of the Wigmore...
I'm pleased to say that my audience for the Beethoven lecture-recital yesterday was much bigger than I or the organisers had anticipated. Extra chairs needed to be put out, and there was a lovely buzz in the room when I came in. It seemed that people were pleased by...
I'm preparing for a lunchtime lecture-recital on Tuesday in which I've been asked to speak about, and then play, a late Beethoven sonata, the A flat major opus 110. It's an experiment for all concerned; I've performed the sonata before, but have never tried to speak...