Tomorrow I'm playing a solo recital at the Lammermuir Festival, a lovely festival which takes place in various locations, sacred and secular, across the beautiful county of East Lothian in Scotland. I have practised my programme to the point of feeling a keen desire...
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The other day I came across an article called 'The Pianoforte Recital'. It was published in The Musical Times in 1911 - over a century ago. The author, Frederick Kitchener (himself a pianist), complained that piano recitals had become far too numerous, and that...
Last night I appeared at the Edinburgh International Book Festival, discussing my latest book with broadcaster Kate Molleson (see picture of me turning away from the piano after playing one of the pieces we were talking about). Conversation turned to the idea of...
I've been practising Schumann's 'Papillons', a cycle of piano pieces containing various motifs and references which reappear in his later piano music. It seems that for Schumann, butterflies were associated with the novels of Jean Paul, one of his favourite authors,...
I was doing some teaching at Oxford University the other day, and we were discussing the challenges of making a good entrance on to the concert platform when giving a recital as part of your exams. I was discoursing on the need for calm or confidence, and trying to...
Several people including a lawyer have sent me a link to yesterday's BBC news story about a pianist in Spain whose neighbour took her to court over her piano practising, alleging 'psychological harm' from having to listen to it. Spanish prosecutors had initially...
Here I am talking with a talented young pianist at the very enjoyable masterclass I gave at Bowdoin College in Maine a few days ago. It was enjoyable partly because of the students and partly because of the audience, which included some townsfolk not used to coming to...
Here I am in conversation yesterday with Professor Mary Hunter in the Studzinski Recital Hall during the Klavierfest at Bowdoin College, Maine. We were billed to talk to the audience about various issues to do with performing, but as many conversations do these days,...
Lou Reed of the Velvet Underground, who died this week, famously said (tongue in cheek, I suppose) that when you're composing a song, 'one chord is fine, two chords are pushing it. Three chords and you're into jazz'. I had that quote in my mind last night as I...
City Music Society, which holds its concerts at Bishopsgate Institute near Liverpool St Station in London, is starting its 'early evening' autumn series on Wednesday night, 16 October, with a piano recital by me. Tickets are free for students under 25 with valid ID....
I'm preparing an interesting recital programme at the moment for a concert in Salzburg on October 23. Tomorrow I'm trying it out for an invited audience in London. The programme focuses on Billy Mayerl and his favourite composers. Billy Mayerl, the pianist at the...
A doctor friend has sent me an excerpt from the current edition of the British Medical Journal in which their writer 'Minerva' reports: 'Great composers have tended to die young, but great performing musicians often carry on getting better as they get older. An...
Since the end of the ARD Competition in Munich I have been mulling over the concept of competitions. Of course we all understand the point of competitions, and many are prepared to put up with the negative aspects in the hope of benefitting from the positive ones....
The ARD-Competition in Munich ended with three out of the four categories (violin, viola, bassoon, piano trio) awarding no first prize. Only Yura Lee won a first prize in the viola category. I wonder if it is generally realised by the public that the rules in Munich...
I am still working on the jury of the ARD Competition in Munich, which reaches the Final of the piano trio competition on Saturday. Obviously I can't write anything about the competitors, but I can say how interesting it has been to hear so many different groups...