This week I've been trying to find out what happened to the album of Mozart piano and violin sonatas that the wonderful Viennese violinist Erich Höbarth and I made in 2012. (That's us in the photo.) It was compiled from live recordings of a concert series we performed...
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It was great to be part of the RSNO chamber series in Glasgow yesterday afternoon in its first 'live' concert for an in-person audience since the pandemic. That's a gap of almost three years! Photo shows (L to R) cellist Pei Jee Ng, me, violist Tom Dunn, violinist...
I'm preparing for a solo recital at Kettle's Yard museum in Cambridge on November 24th. Kettle's Yard is a beautiful little museum which began in the 1950s as a personal art collection by Jim Ede, who used his own house as the display venue. It was the first gallery I...
It's just a week now until my Queen's Hall solo recital on 25 April at 7.30pm. The programme is called 'Pioneers of the Piano' and celebrates some of the composers who wrote in new ways for the piano, or showed it in a different light. I played the programme at...
In my travels as a guest tutor I come across post-grad and young professional musicians from lots of different countries. For some time now I've made it a habit to ask them how they're getting on with making their way in the classical music profession - easy or...
A young musician announced to me recently that the problem of classical music's dwindling audiences would be solved by moving concerts into exciting new locations not associated with classical performance. For example, she mentioned the MultiStory project, an...
A wonderful night on Monday at the Queen's Hall playing Schubert with violinist Erich Höbarth (see photo). We were pleasantly surprised by the size of the audience and even more so by their warmth. After such a long build-up to this particular concert it felt very...
A great weekend of music-making in Perth Concert Hall with the Quatuor Mosaiques came to an end yesterday with fabulous five-star reviews in The Herald and The Scotsman. During the residency we had the privilege of staying in Methven Castle with its delightful...
Last Saturday there was a lovely article by Ken Walton in The Scotsman weekend magazine about my upcoming concerts with the Quatuor Mosaiques in Perth, and with Erich Höbarth (pictured with me) in Edinburgh. Here it is for anyone who'd like to read it. For some...
An exciting week lies ahead, with a whole cluster of works - nine, in fact - to perform in the space of four days. I'm doing a residency with the wonderful period-instrument quartet, Quatuor Mosaiques, in Perth Concert Hall (in Scotland, before any Australians start...
Last week I played a lunchtime recital in Aberdeen, the first time I'd played in the city for ages. I took a train early enough to allow me to see sunrise over the Firth of Forth, followed by a spectacular curve around the coastline of Fife as the first light was...
It's hard to keep up with changing perceptions in the world of music. We classical musicians are used to being the butt of complaints that our concerts are off-putting because of their focus on accuracy and daunting accomplishment. Unfortunately there's no way round...
I have been haunted this week by articles about the New York collaboration between 'performance artist' Marina Abramovic and pianist Igor Levit. You can read all about it here. Basically, Marina Abramovic seeks to 'get the audience into a different state of mind' in...
While baking a cake this morning, I listened to an excellent BBC Radio 4 programme, 'The Joy of 9 to 5', about managers. Presenter Lucy Kellaway investigated what managers actually do, and introduced us to some new approaches to management, emanating in particular...
I've just finished reading James Rhodes's book Instrumental. Nobody can put down the book without feeling intense sympathy for him and admiration for the way he's turned his traumatic experiences into positive motivation for life as a concert pianist. No-one can doubt...