The other day I was part of a coffee gathering where people from various lines of work were talking about their experiences of writing 'risk assessments'. They described the complicated forms that had to be filled in and the efforts to explain what preventive measures...
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Two weeks today I'll be playing a recital at London's Wigmore Hall to mark the launch of my new book about the history of women playing the piano. My programme consists of music by some of the historical women featured in the book. I've been wondering how many of...
I was looking through the list of candidates for a concerto competition recently and was struck by the list of pieces they were playing. Mozart (lots), Haydn (several), Beethoven (several), Mendelssohn (several), Schumann (several), Chopin, Brahms (several), Grieg,...
I'm in Graz, Austria, on the jury of a piano trio competition, 'Franz Schubert and modern music'. Graz is a beautiful city and even more so in the snow. The competition has several parallel categories: piano trio, string quartet and Lieder. The idea behind it is that...
Some years ago I recorded 'Loose Elbows', a CD of Billy Mayerl's piano music. It features some of the sparkling, good-humoured pieces Billy wrote when he was the celebrated pianist at the Savoy Hotel in London in the 1920s and 30s. My disc has been in and out of print...
An intriguing article in the Guardian this week about The Chemical Brothers. They’re thoughtful and interesting, but some of their comments about music and audiences were startling for me, because they showed such a different facet of the music world. "I don't really...
Went to a lovely concert given by a group of distinguished European string players in memory of the Hungarian violinist Sandor Vegh, whose centenary falls this year. Sandor Vegh founded the International Musicians' Seminars in Prussia Cove, an inspiration to many of...
I've only found one review of my concert last week in Perth with Erich Höbarth, but it's a lovely one, so I thought I would give the link. Once again we were so grateful to the several people who travelled long distances to be there. 'In this second of the series,...
I'm off to Scotland for the second concert in my Mozart Series with Erich Hobarth. While I'm there, I'm hoping to visit the newly refurbished Scottish National Portrait Gallery which has been closed for the past two years. It opened again in Edinburgh on December 1....
Today there's an interview with me by Kate Molleson in the Herald, one of Scotland's leading newspapers. The interview was triggered by the interest in my Mozart Series with violinist Erich Höbarth in Perth Concert Hall. The next concert in the series is on December...
Since I wrote about attending a masterclass the other day, several people have told me about their own bruising experiences with ‘masters’ who specialised in devastating criticism. Years after the event they could still recall the words with searing clarity: ‘Shall I...
I've promised to help promote the Conway Hall Sunday Concerts, where I'm playing a recital on Sunday 4 December at 6.30pm. Conway Hall (25 Red Lion Square, Holborn, London WC1) is Europe's longest-running chamber music series, and has been going since 1887. The series...
To King's Place to hear the Hungarian piano professor Ferenc Rados teach a public masterclass for several chamber groups. I know lots of people who have had memorable lessons with Ferenc Rados in recent years, though I myself hadn't seen him since I played to him in...
Lots of people seem to have been interested in the Guardian review, (see previous post), so here's another one of the same concert which appeared yesterday in the the Perthshire Advertiser: 'Since the opening of Perth Concert Hall, last Friday evening's concert was...
Blowing my own trumpet, or rather hammering my own Klavier - but it's not so often that one gets a five-star review in the Guardian! Here's the review of my concert in Perth last Friday with violinist Erich Höbarth: 'Some of the most intuitive, candid and affectionate...