I was in Cambridge at the weekend to give a piano recital as part of the events marking fifty years of women as undergraduates at King's College, Cambridge. As well as playing a concert, I was also there to see the opening of a special exhibition: Fifty Portraits, a...
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This week I'm giving a recital of music by historical women pianist-composers. I'll be playing an Erard grand piano made at the end of the 19th century by the firm of Sebastien Erard in Paris. (Officially the piano is dated around 1900, but a technician told me he...
The Coronation of King Charles III came in the same week that we heard the organisation Psappha, which promotes new music, had been forced to close because of funding problems. This in itself followed hard on the heels of threats to close the BBC Singers and reduce...
At a Gaudier Ensemble rehearsal last week my colleagues, who come from various European countries, were discussing the unstoppable rise in pitch. Here in England we still tune to A=440 Hz, which has been ‘standard pitch’ since the mid-twentieth-century, though in the...
This morning in the village church of Cerne Abbas, we invited the children of the local primary school to come and listen to a rehearsal of Aaron Copland's attractive piece, Appalachian Spring (part of tonight's concert programme). It lasts around 25 minutes, quite a...
I'm in rural Dorset to take part in one of those thriving summer music festivals never mentioned in the Guardian's guide to same. This will be the 21st annual festival run by the Gaudier Ensemble; I've been 'at the piano' for eighteen of those years. Despite the...
I wish I could have been a fly on the wall during the jury’s deliberations on the Cardiff Singer of the World final on Sunday night. I’d watched most of the other rounds and had realised it was going to be a difficult choice. It was an exceptionally good line-up, and...
I'm off to the Florestan Festival in East Sussex today. I always enjoy imagining people setting off towards Peasmarsh from many different compass points. Most of our rehearsals have happened to the accompaniment of pouring rain, so we can only hope the spell of wet...
A lovely evening at Wigmore Hall last night listening to jazz from pianist Gwilym Simcock and 'reeds' player Klaus Gesing. What a well-matched duo they are, both superb musicians and excellent instrumentalists as well. Their ensemble playing was a lesson in how to be...
The July issue of Classic FM magazine, just out, is devoted to 'discovering the genius of Mendelssohn'. They asked me to write a little 'artist's view' of playing Mendelssohn's piano music, and my article is on p48. For those who don't have the chance to buy the...
I've been adjudicating a couple of prizes recently at music colleges. As usual these days, some of the most striking performances have been provided by musicians from China, Korea and Japan. I'm starting to get used to the excellence of their contributions, but from...
A few weeks ago I attended an astonishing concert given by the pianist Jacob Barnes and three of his friends from the Royal Academy of Music. Jacob had been suffering from a rare kind of leukaemia for two years. His presence on the platform was a source of wonder and...
I read last week of the death of ex-Sony chief Norio Ohga, the ‘father of the CD’. When Sony launched the CD format in 1982, Mr Ohga insisted that a disc must be long enough to contain his favourite piece, Beethoven’s Ninth Symphony. This determined the 75-minute...
On the last episode of 'Between Ourselves', the Radio 4 discussion programme, James Rhodes and I are talking to presenter Olivia O'Leary about what it's like to be a concert pianist. I haven't heard the edited broadcast, but we talked for almost two hours in the...
I never used to follow contemporary dance, but a chance encounter with the Mark Morris Dance Group seems to have turned me into an Sadler's Wells groupie. I've gone on to enjoy Pina Bausch, modern flamenco, and on Saturday we relished the last night of Anne Teresa de...