The other day I was part of a coffee gathering where people from various lines of work were talking about their experiences of writing 'risk assessments'. They described the complicated forms that had to be filled in and the efforts to explain what preventive measures...
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Two weeks today I'll be playing a recital at London's Wigmore Hall to mark the launch of my new book about the history of women playing the piano. My programme consists of music by some of the historical women featured in the book. I've been wondering how many of...
I was looking through the list of candidates for a concerto competition recently and was struck by the list of pieces they were playing. Mozart (lots), Haydn (several), Beethoven (several), Mendelssohn (several), Schumann (several), Chopin, Brahms (several), Grieg,...
A friend was telling me about a piano recital he attended last year in the Wigmore Hall. During a Beethoven sonata, members of the audience were distracted by a low buzzing noise emanating from somewhere in the room, and judging by the pianist's increasingly cross...
A thoughtful letter today from a reader about recordings. He’s noticed that musicians often say they dislike the manicured, edited-to-within-an-inch-of-their-lives recordings of today, and prefer the more ‘natural’, warts-and-all approach of the earlier twentieth...
The Ambialet piano course ended last night with concerts by the participants (see some of them in the photo). It never ceases to amaze me how people manage to raise their game in these circumstances, even though most of them find it a nerve-racking experience and...
Violinist Gidon Kremer has, I hope, set the cat among the pigeons with his decision to pull out of the Verbier Festival in Switzerland. His letter of explanation is long and somewhat rambling, but perhaps he did not have the time to make it shorter. In any case, his...
An interesting discussion with the NZ Trio who are visiting London this week from their native New Zealand. We were talking about the challenge of performing some of the very long works in the trio repertoire, such as the Schubert trios (40-50 minutes). Many of our...
To the First Night of the Proms last night, courtesy of some kind friends who had rented a box in the Royal Albert Hall. Benjamin Grosvenor, an excellent young British pianist who has only just turned 19, played Liszt’s second piano concerto with great finesse and...
At a Gaudier Ensemble rehearsal last week my colleagues, who come from various European countries, were discussing the unstoppable rise in pitch. Here in England we still tune to A=440 Hz, which has been ‘standard pitch’ since the mid-twentieth-century, though in the...
This morning in the village church of Cerne Abbas, we invited the children of the local primary school to come and listen to a rehearsal of Aaron Copland's attractive piece, Appalachian Spring (part of tonight's concert programme). It lasts around 25 minutes, quite a...
I'm in rural Dorset to take part in one of those thriving summer music festivals never mentioned in the Guardian's guide to same. This will be the 21st annual festival run by the Gaudier Ensemble; I've been 'at the piano' for eighteen of those years. Despite the...
I wish I could have been a fly on the wall during the jury’s deliberations on the Cardiff Singer of the World final on Sunday night. I’d watched most of the other rounds and had realised it was going to be a difficult choice. It was an exceptionally good line-up, and...
I'm off to the Florestan Festival in East Sussex today. I always enjoy imagining people setting off towards Peasmarsh from many different compass points. Most of our rehearsals have happened to the accompaniment of pouring rain, so we can only hope the spell of wet...
A lovely evening at Wigmore Hall last night listening to jazz from pianist Gwilym Simcock and 'reeds' player Klaus Gesing. What a well-matched duo they are, both superb musicians and excellent instrumentalists as well. Their ensemble playing was a lesson in how to be...