On Wednesday I played a solo recital in Ambleside Church as part of the Lake District Summer Music festival. My programme contained six pieces by the female pianist-composers whose work I have been performing in the past couple of years. In the context, I was touched...
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Look, no hands
I've been remembering a little conversation which happened years ago when a fellow musician was giving me a lift to the Tube station in London. I was on my way to play a concert. As I was getting out of the car, he said to me: 'Have you got your music?' 'Yes.' 'Have...
Different audiences, different reactions
I have been going to events at the Edinburgh Jazz Festival. There seems to be a lot of overlap between the audiences, because I keep seeing the same faces. It's interesting to observe the effects that different performers have on the audiences. Some performers banter...
The impact of Brexit on musicians
Everyone sees Brexit through their own lens. This is mine. When I was small, playing the piano was my favourite thing. I had heard that Mozart and Schubert came from Austria. Bach and Beethoven and Schumann came from Germany. Debussy and Ravel came from France. And so...
Thoughts at the end of the year
I haven't written much on my blog recently, for two reasons: 1. My website was hacked (aargh), and I have been struggling to deal with the technical issues that resulted. 2. I have been working on a new book. More of that in the new year! As we come to the end of the...
More on hand sizes
A little while ago I wrote about my sudden insight that most printed fingering in the scores of piano pieces was probably devised by men, and for male pianists. Yesterday I had some follow-up to that from a doctor who had done some further reading about male and...
Programme notes – help or hindrance?
Yesterday I was at a concert where, just as I was thinking of reading the programme notes, the lights went down and I couldn't read them. Some concert halls don't put the lights down; others dim them slightly, and some put them down to 'theatre levels', just leaving...
London Piano Festival
I'm preparing for my two appearances at the London Piano Festival in King's Place on Saturday October 5. At 2pm I have a solo lecture-recital on Schubert's A major Sonata D959. At 7pm I'll be joining the other festival pianists in a 'two-piano marathon' concert. Most...
NYO Dress Code – then and now
The marvellous National Youth Orchestra Prom concert with Nicola Benedetti last week has set me reminiscing about my time in the NYO (in the photo, I have long fair hair and am just to the left of the middle of the group, playing 2nd violin.) Watching the NYO Prom on...
Putting fuel in the tank
After a recent concert a member of the audience was telling me how much she'd enjoyed it. 'I always say it's great to hear top professionals playing, because it's only when people have really mastered the notes that they can think about how music communicates', she...
Expressions
Last week I had the opportunity to sit at the side of a church and watch the faces of the audience as they listened to a wonderful concert. It was interesting to observe the array of expressions, some clearly related to the music, others not. I saw people who were:...
The artist and their team
The other day I went to the Bridget Riley exhibition at the Scottish National Gallery. In one room, there was a large Riley painting, painted directly onto a white wall. I stepped forward to read the plaque. It said the painting was owned by a gallery in Germany. How...
Fake news
There's so much talk about 'fake news' at the moment. Most of us are gradually getting better at spotting it. Fake news often seems to be accompanied by a certain style of presentation, which we often see in public speaking. Smiles that don't arise from the inside. An...
Gaps between hype and reality
Recently for work reasons I've had to look through the websites of lots of different young musicians and chamber groups. Websites are dazzling! It's clear that everyone now employs sophisticated media skills and professional designers. Gorgeous artwork, glamorous...
Toe-tapping in the Baroque era
I did some guest teaching at the University of St Andrews the other day. During one of my sessions, a member of the audience asked an interesting question. I didn't know the answer and am still thinking about it. He said: 'I have some modern recordings of Baroque...

