I've returned from London, where I recorded an album for Hyperion of piano music by some of the women featured in my book. I had a wonderful recording team. Incredibly, it's now 40 years since I first recorded an album with producer Andrew Keener, now a doyen of the...
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Today's blog post is on quite a niche subject. When I was writing a short biography of pianist Sophie Menter (1846-1912) for Women and the Piano, I mentioned some of the extravagant things her fans used to do to show their adoration. When she played in Copenhagen in...
When I was playing in Birmingham a couple of weeks ago, I had an interesting conversation with a student there. (Birmingham University is rightly protective of its students' identities, so I won't name her.) She was studying aspects of the history of women playing...
The other night, after watching the last in the category finals of 'BBC Young Musician', I tweeted that I had now watched the wind, brass and string finals and had not once heard them mention the name of any of the pianists who played with the young competitors. My...
The Scotsman newspaper is offering readers some lockdown entertainment, or solace, in the form of contributions from various artists who've recorded themselves playing, reading poetry, singing, or whatever in their own homes. There's an accompanying article written by...
A music-loving friend and I were discussing the prospect of concerts resuming after lockdown. It might be months away, but most musicians are eagerly, indeed desperately looking forward to this point. 'Trouble is', said my friend, 'I might not feel all that confident...
The coronavirus situation is constantly changing. Many people's plans have already been impacted by it, even though in Scotland, where I live, there are just a few cases at the moment. In the past few days I've had several worried concert promoters on the phone about...
Everyone sees Brexit through their own lens. This is mine. When I was small, playing the piano was my favourite thing. I had heard that Mozart and Schubert came from Austria. Bach and Beethoven and Schumann came from Germany. Debussy and Ravel came from France. And so...
I haven't written much on my blog recently, for two reasons: 1. My website was hacked (aargh), and I have been struggling to deal with the technical issues that resulted. 2. I have been working on a new book. More of that in the new year! As we come to the end of the...
A little while ago I wrote about my sudden insight that most printed fingering in the scores of piano pieces was probably devised by men, and for male pianists. Yesterday I had some follow-up to that from a doctor who had done some further reading about male and...
Yesterday I was at a concert where, just as I was thinking of reading the programme notes, the lights went down and I couldn't read them. Some concert halls don't put the lights down; others dim them slightly, and some put them down to 'theatre levels', just leaving...
I'm preparing for my two appearances at the London Piano Festival in King's Place on Saturday October 5. At 2pm I have a solo lecture-recital on Schubert's A major Sonata D959. At 7pm I'll be joining the other festival pianists in a 'two-piano marathon' concert. Most...
The marvellous National Youth Orchestra Prom concert with Nicola Benedetti last week has set me reminiscing about my time in the NYO (in the photo, I have long fair hair and am just to the left of the middle of the group, playing 2nd violin.) Watching the NYO Prom on...
After a recent concert a member of the audience was telling me how much she'd enjoyed it. 'I always say it's great to hear top professionals playing, because it's only when people have really mastered the notes that they can think about how music communicates', she...
Last week I had the opportunity to sit at the side of a church and watch the faces of the audience as they listened to a wonderful concert. It was interesting to observe the array of expressions, some clearly related to the music, others not. I saw people who were:...