I was on my way to Wigmore Hall in London for my recital a few days ago when this very pleasing review of my Nocturne book popped up on Presto Music. I think reviews are a new kind of offering on Presto Music, so in case readers haven't come across it, I thought I'd...
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Preparations are going well for my recital at London's Wigmore Hall on 17 April at 1pm. If you live near London, I hope you might come along. I can't remember if I've told this story before, but I can't track it down in a previous blog post, so here it is, with...
I've been reading An Angel at my Table, the autobiography of New Zealand writer Janet Frame. It's an unusual and absorbing read. Janet Frame grew up without much access to music, but when she first came across classical music she loved it. Gradually she gathered some...
Yesterday Philip Higham and I recorded our programme for the Edinburgh International Festival's Chamber Soundscapes series. Music by Nadia Boulanger, Martinu, Suk, Debussy and Beethoven. Our performance was relayed through speakers in Princes St Gardens at lunchtime...
Believe it or not, I actually have a concert next week, though it will be a 'closed door' recording made without an audience. It's part of the Edinburgh International Festival's online offering which replaces the programme for this year's cancelled Festival. A series...
Zoom music-making has been a feature of lockdown. Hardly a week passes without someone sending me a link to a recording: Zoom choirs, Zoom orchestras and ensembles, each performer singing or playing away in their own home and on their own little screen. To create a...
We're hearing a lot about the days of heedless international travel being over for classical musicians. In today's Guardian, Charlotte Higgins does an admirable job of summing up some aspects of the situation. It's worth remembering that darting about to play in San...
The other night, after watching the last in the category finals of 'BBC Young Musician', I tweeted that I had now watched the wind, brass and string finals and had not once heard them mention the name of any of the pianists who played with the young competitors. My...
The Scotsman newspaper is offering readers some lockdown entertainment, or solace, in the form of contributions from various artists who've recorded themselves playing, reading poetry, singing, or whatever in their own homes. There's an accompanying article written by...
A music-loving friend and I were discussing the prospect of concerts resuming after lockdown. It might be months away, but most musicians are eagerly, indeed desperately looking forward to this point. 'Trouble is', said my friend, 'I might not feel all that confident...
The coronavirus situation is constantly changing. Many people's plans have already been impacted by it, even though in Scotland, where I live, there are just a few cases at the moment. In the past few days I've had several worried concert promoters on the phone about...
Everyone sees Brexit through their own lens. This is mine. When I was small, playing the piano was my favourite thing. I had heard that Mozart and Schubert came from Austria. Bach and Beethoven and Schumann came from Germany. Debussy and Ravel came from France. And so...
I haven't written much on my blog recently, for two reasons: 1. My website was hacked (aargh), and I have been struggling to deal with the technical issues that resulted. 2. I have been working on a new book. More of that in the new year! As we come to the end of the...
A little while ago I wrote about my sudden insight that most printed fingering in the scores of piano pieces was probably devised by men, and for male pianists. Yesterday I had some follow-up to that from a doctor who had done some further reading about male and...
Yesterday I was at a concert where, just as I was thinking of reading the programme notes, the lights went down and I couldn't read them. Some concert halls don't put the lights down; others dim them slightly, and some put them down to 'theatre levels', just leaving...