Over the years, my recordings have often featured on BBC Radio 3's Saturday morning programme, Record Review. They have a long-running feature called 'Building a Library', where each week a reviewer sifts through the available recordings of a classic piece and...
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Florestan Trio reviews
Here are a couple of reviews of the Florestan Trio's Beethoven trio concerts in the Wigmore Hall this week. The series came to a memorable close on 13 January with a standing ovation from the Wigmore audience. The Independent five-star review of the first concert The...
Exit, pursued by a waiter
On the day after the first of the Florestan Trio's Beethoven Cycle concerts in the Wigmore Hall on Friday, a kind member of the audience invited me to lunch in Le Caprice, a lovely restaurant to which I had never been before. The bread basket on our table contained a...
Our Italian hero
This photo shows me outside the Gulbenkian Foundation in Lisbon, standing beside the poster for the Florestan Trio’s three concerts. On the day after the concerts, Bob and I caught the old tram up the hill of the Alfama district to visit the castle. While we were...
Trumpet, my own, blowing
When I got back from Lisbon this afternoon, I looked at my website statistics and saw that an awful lot of people had looked at the website on Saturday while I was away. I realised later that it must have been because of the Guardian’s heart-warming review that day of...
Catering van fantasies
Bob and I went for a walk on Wimbledon Common. A film crew must have been working nearby, because several of their vans were parked there. Outside the catering van, a large table had been set up in the open air, beautifully laid with plates of cakes and muffins, pots...
Watkins Sandwich
A memorable evening last night at Wigmore Hall. We’ve played in a few less-than-ideal acoustics recently (some too resonant, some too dry) so it was a real pleasure to hear the sound ringing through the air of the Wigmore Hall. Such an acoustic actually makes the...
In the lamplight
We went to Cambridge to play a concert in Peterhouse, the oldest and smallest of Cambridge University’s colleges. Our travel plans had gone awry, and we arrived an hour late and a bit agitated. Dusk was falling, and by the time we finished our rehearsal it was dark....
Bushes and briars
The critics of Gramophone magazine have been choosing their favourite discs of the year for the December issue, and Peter Quantrill has chosen the Florestan Trio's latest disc, of Haydn Trios (volume 2), as his personal favourite of 2009. He writes: 'I can't remember...
Territorial display
We were rehearsing this week in the home of a friend who keeps a pet canary in a cage in the kitchen. The canary was silent as we arrived and sat round the table, chatting and drinking coffee. But as soon as we went next door, picked up our instruments and started to...
Beethoven’s questions
For the past few days the trio has been rehearsing intensively. Over the next ten days we have two concerts at the Bath Mozartfest, a fundraising concert and dinner for the Florestan Trust, a concert at the University of Cambridge, a concert in the Wigmore Hall (with...
Huw Watkins premiere
At last the printed score has arrived for the trio by Huw Watkins. We’re giving the world premiere in the Wigmore Hall on November 25. When the newly published score arrived, I already knew the notes of the piano part, because I’ve been working from an electronic PDF...
Choosing a piano
To Steinway Hall in London, to choose a piano for the Florestan Trio’s Hyperion recording of Shostakovich next January. Whenever I'm able to select an piano, I have to do my research well ahead of time, because the best ones get booked up months in advance. Each...
First review of the trio’s new CD
The Florestan Trio’s new disc, a second volume of Haydn piano trios (Hyperion CDA67757), is just arriving in the shops, and the first review appeared yesterday. The magazine International Record Review (October) has given it their ‘Oustanding’ mark. The review is...
Guessing the dynamics
In November, my trio is giving the premiere of a new work which has been written for us – is being written for us, I should say – by Huw Watkins. Earlier in the summer I pestered Huw to let me have what he’d written so far, and though the parts aren't fully finished...