The other day I was listening to a pianist playing the fearsome second movement of the César Franch Sonata for violin and piano. The piano part is highly virtuosic and, apart from anything else, a very good proof of the fact that these big piano parts are not...
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I spent the past couple of days popping in and out of the first round of the Concerto Class held each year by the Edinburgh Music Competition Festival. The Concerto Class is strictly for amateurs; those who get to the final are given the opportunity to play their...
When I was in Cambridge recently I went to see the photos taken last year by photographer Jooney Woodward to mark fifty years of women undergraduates at King's College Cambridge. Last time I saw these photos, in June 2023, they were in the Chapel (I wrote about the...
I'm on my way to Scotland for the start of my Mozart Series with violinist Erich Höbarth. On Friday evening we're playing our opening concert in the Horsecross Concert Hall in Perth, one of Scotland's newest arts centres. For this series, I've been preparing nearly...
How nice it is to work with young musicians at that interesting crossroads when they're emerging from higher education and developing their own identities as professional musicians. They are no longer dependent on teachers (sometimes they no longer have access to...
I'm teaching on a lovely summer course for pianists in the south of France. As I write, people are practising in the rooms all around me - everything from Schumann's Fantasy to Beethoven's opus 110, Debussy Preludes and Liszt's Vallée d'Obermann. Put together, we...
Violinist Gidon Kremer has, I hope, set the cat among the pigeons with his decision to pull out of the Verbier Festival in Switzerland. His letter of explanation is long and somewhat rambling, but perhaps he did not have the time to make it shorter. In any case, his...
This morning in the village church of Cerne Abbas, we invited the children of the local primary school to come and listen to a rehearsal of Aaron Copland's attractive piece, Appalachian Spring (part of tonight's concert programme). It lasts around 25 minutes, quite a...
I wish I could have been a fly on the wall during the jury’s deliberations on the Cardiff Singer of the World final on Sunday night. I’d watched most of the other rounds and had realised it was going to be a difficult choice. It was an exceptionally good line-up, and...
Saw a quietly beautiful Italian film, Le Quattro Volte, directed by Michelangelo Frammartino. It was inspired by Pythagoras's belief that each of us contains four interlinked lives: human, animal, vegetable and mineral. 'Man is made of mineral, because he has a...
A lovely evening at Wigmore Hall last night listening to jazz from pianist Gwilym Simcock and 'reeds' player Klaus Gesing. What a well-matched duo they are, both superb musicians and excellent instrumentalists as well. Their ensemble playing was a lesson in how to be...
The July issue of Classic FM magazine, just out, is devoted to 'discovering the genius of Mendelssohn'. They asked me to write a little 'artist's view' of playing Mendelssohn's piano music, and my article is on p48. For those who don't have the chance to buy the...
My days of being able to be knocked down by a feather are past, but you could have knocked me down with a full-grown marrow, or possibly a crusty baguette, when I discovered that my birthday was the featured one in The Times’ birthday column on Thursday, at the bottom...
A few weeks ago I attended an astonishing concert given by the pianist Jacob Barnes and three of his friends from the Royal Academy of Music. Jacob had been suffering from a rare kind of leukaemia for two years. His presence on the platform was a source of wonder and...
The azaleas, camellias, magnolias and rhododendrons are nearly all out now in Richmond Park. Although most of the park is just green, there's an enclosed park-within-a-park called the Isabella Plantation. Why is it called Isabella? It seems that 'Isabel' is an word...