At the Edinburgh Festival this week we went to the Usher Hall to hear the French orchestra Les Siècles performing Stravinsky's Rite of Spring on instruments of the period. (The difference in those instruments was not immediately apparent, though there was a soft grain...
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Hearing of the death of renowned theatre director Peter Brook, I went back to my book Beyond the Notes in which I described going to Paris in 1982 to ask his advice about how to keep our chamber music group Domus alive and in good heart despite the many difficulties...
A couple of readers said they'd like to hear more about Radu Lupu. I only met him a few times and didn't know him well, but I vividly remember the impression he made. When I went for my lessons, I was probably focusing on trying to play each phrase as beautifully as I...
As an antidote to all the stress of last week, we went to see The Artist, the French film which is now starting to win all kinds of awards. I had read of its producer's difficulties in persuading people to back his eccentric idea of making a silent, black-and-white...
Over New Year I have been corresponding quite a bit with pianist Noriko Ogawa, who has almost finished translating my book 'Out of Silence' into Japanese. Though I am really looking forward to the Japanese edition, due out in spring, I am rather sorry that the stream...
On the last day of the year, I find myself pondering the things that gave me most satisfaction during 2011. To my surprise, I realise that some of my happiest working moments were to do with teaching masterclasses. I say ‘to my surprise’ because I fended off teaching...
One of our Christmas presents this year was Dan Lepard’s Short and Sweet, a wonderful new book of baking recipes – breads, cakes, pies, desserts. The word ‘short’ presumably refers to pastry and not to the book itself, which is notably long (and sweet). My eye fell...
Coming back from Edinburgh on the train, I was sitting next to a girl who was knitting something very intricate on four slender knitting needles. She was following a pattern so complicated that she had to pause every other stitch and consult it. Eventually I asked...
To King's Place to hear the Hungarian piano professor Ferenc Rados teach a public masterclass for several chamber groups. I know lots of people who have had memorable lessons with Ferenc Rados in recent years, though I myself hadn't seen him since I played to him in...
I'm on my way to Scotland for the start of my Mozart Series with violinist Erich Höbarth. On Friday evening we're playing our opening concert in the Horsecross Concert Hall in Perth, one of Scotland's newest arts centres. For this series, I've been preparing nearly...
How nice it is to work with young musicians at that interesting crossroads when they're emerging from higher education and developing their own identities as professional musicians. They are no longer dependent on teachers (sometimes they no longer have access to...
I'm teaching on a lovely summer course for pianists in the south of France. As I write, people are practising in the rooms all around me - everything from Schumann's Fantasy to Beethoven's opus 110, Debussy Preludes and Liszt's Vallée d'Obermann. Put together, we...
Violinist Gidon Kremer has, I hope, set the cat among the pigeons with his decision to pull out of the Verbier Festival in Switzerland. His letter of explanation is long and somewhat rambling, but perhaps he did not have the time to make it shorter. In any case, his...
This morning in the village church of Cerne Abbas, we invited the children of the local primary school to come and listen to a rehearsal of Aaron Copland's attractive piece, Appalachian Spring (part of tonight's concert programme). It lasts around 25 minutes, quite a...
I wish I could have been a fly on the wall during the jury’s deliberations on the Cardiff Singer of the World final on Sunday night. I’d watched most of the other rounds and had realised it was going to be a difficult choice. It was an exceptionally good line-up, and...