By chance, two different people have spoken to me recently about their late mothers, who experienced difficulties in following their chosen career when they were young. One of those women was born in the 1920s, the other in the 1930s. One was a doctor, the other a...
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In today's Guardian I was reading about the Japanese tradition of 'listening bars', where customers have 'a deep, beautiful, reverential attitude to listening to music'. High-end sound systems, sometimes dominating a whole wall, convey every layer of a recorded album...
I've been playing through Schubert's piano sonatas, starting with the early ones, which I admit I don't know very well. Like most people, I'm much more familiar with the late sonatas, considered some of his finest works. The sonatas I've played so far were written in...
Violinist Gidon Kremer has, I hope, set the cat among the pigeons with his decision to pull out of the Verbier Festival in Switzerland. His letter of explanation is long and somewhat rambling, but perhaps he did not have the time to make it shorter. In any case, his...
To the Royal Academy Summer Exhibition, where the first thing one sees is ‘Work no 998’ by Martin Creed, four chairs balanced on top of one another in a tapering pile, an orange office chair at the bottom, a child’s formica chair at the top. This is the kind of thing...
An interesting discussion with the NZ Trio who are visiting London this week from their native New Zealand. We were talking about the challenge of performing some of the very long works in the trio repertoire, such as the Schubert trios (40-50 minutes). Many of our...
To the First Night of the Proms last night, courtesy of some kind friends who had rented a box in the Royal Albert Hall. Benjamin Grosvenor, an excellent young British pianist who has only just turned 19, played Liszt’s second piano concerto with great finesse and...
At a Gaudier Ensemble rehearsal last week my colleagues, who come from various European countries, were discussing the unstoppable rise in pitch. Here in England we still tune to A=440 Hz, which has been ‘standard pitch’ since the mid-twentieth-century, though in the...
I'm in rural Dorset to take part in one of those thriving summer music festivals never mentioned in the Guardian's guide to same. This will be the 21st annual festival run by the Gaudier Ensemble; I've been 'at the piano' for eighteen of those years. Despite the...
We have a pair of resident blackbirds in our garden, and every day the male blackbird perches on the chimney and sings loudly, especially at dusk. He seems to have several ‘songs’ or sequences of phrases which he sings over and over. I’ve heard them hundreds of times,...
An interesting discussion with students about whether it’s right to ‘scale things up’ to 21st century tastes when playing 18th/19th century music. They had played Beethoven so powerfully and with such speed and ringing ‘attack’ that I found myself wondering whether...
To Cambridge, where I heard a fine May Week concert at King’s College. (As Clive James pointed out in the title of a book of memoirs, May Week is in June.) It was great to hear that the tradition of excellent music-making continues, even though ‘performance’ is only a...
I wish I could have been a fly on the wall during the jury’s deliberations on the Cardiff Singer of the World final on Sunday night. I’d watched most of the other rounds and had realised it was going to be a difficult choice. It was an exceptionally good line-up, and...
After I had finished my rehearsal in Rye Church in East Sussex the other day, I was standing outside the church waiting for the rain to stop, and my eye fell on the War Memorial commemorating local men who had given their lives in the World Wars of 1914-19 and...
I yield to no-one in my devotion to The Guardian, which I read every day, but I’ve been struck recently by what seems to be a disturbing policy of excluding classical music from discussions of ‘music’. A few weeks ago the paper published a 50-page guide to summer...