We recently visited a lovely cafe situated on a cliff top near the sea in East Lothian. The walk to the cafe took us along the cliffs in splendid weather with seagulls wheeling around us, a brisk wind blowing (as usual) and the sea sparkling. We went inside the cafe...
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A belated review of my book The Piano - a History in 100 Pieces has been prompted by a debate on X, formerly known as Twitter. The debate began when comedian and actor Adrian Edmondson was the guest on Desert Island Discs and declared (half-humorously, I think) that...
At the competition in Munich last week (I was on the jury) I encountered a very modern problem. The way the competition was run was similar to most of the other competitions I've been involved with: at the end of each round, the results were announced. Those who were...
We had dinner last night with a friend who plays professionally in a string quartet. He’d been coaching a young string quartet from Paris. They got to talking about rehearsal venues, always a vexing problem for chamber groups and one that I and my friends have never...
Well, I wasn't sitting in an empty room, but I can't pretend that my discussion session in Glasgow was a great success. Had it not been for several members of the teaching faculty coming to my rescue, it would have been a rather silent room. My masterclass was most...
In the past few days I’ve spent some time studying scores of pieces I’m going to be teaching in a masterclass at the RSAMD this week. The date has been in my diary for a long time, but because the academic year only began a couple of weeks ago, it was impossible to...
It’s a double-edged feeling when you come across something superb by someone you’ve never heard of. Happy to discover them, but sad that they seem to have fallen through the net of history. That’s how we felt on seeing ‘Alison’s House’, by the American playwright...
It’s always seemed rather odd to me that the academic year and the new concert season start in the autumn. I understand that historically it’s to do with the harvest being gathered in, and a season of work being finished, after which it’s time to start new things....
At the weekend we visited lots of different artists’ studios under an ‘Open House’ scheme run by the borough of Wandsworth. We’ve been attending this event for years and always enjoy the chance to see artists in their home settings, often with their art displayed for...
Philippa Ibbotson’s article in Wednesday’s Guardian about ‘the myth of the maestro’ has stirred up a lot of interest. Last time I looked, there were about 130 comments on the Guardian blog. The article questioned the enormous fees paid to orchestral conductors,...
After lamenting the lack of music in Venice churches, I had the opposite experience yesterday when attending Evensong in the Chapel of King’s College, Cambridge. It’s always uplifting to hear the Chapel resounding to the pure intonation and chiselled phrases of the...
I’ve just been in Venice for a few days. The city was on the cusp of autumn – warm and sunny but with thunderstorms looming, and mist in the morning on the day we left. We visited about 547 churches. As ever in Italy, I’m disappointed by how rarely one hears any music...
In November, my trio is giving the premiere of a new work which has been written for us – is being written for us, I should say – by Huw Watkins. Earlier in the summer I pestered Huw to let me have what he’d written so far, and though the parts aren't fully finished...
Several good letters in today’s Guardian on the subject of university fees. Various people point out that the older generation in Britain benefited from non-repayable grants. Today’s students have loans, and the average debt when a student graduates is now £15,000....
In Monday’s Guardian, Umberto Eco laments the decline in children’s handwriting ability. He gives various reasons why he thinks it’s a shame that we don’t handwrite letters any more, but surprisingly doesn’t talk about the impact that someone’s handwriting can have on...