Interested in what Susan has to say about all things classical music? Subscribe below and whenever Susan writes a new blog post you will be notified by email. Simple!
The other day I was part of a coffee gathering where people from various lines of work were talking about their experiences of writing 'risk assessments'. They described the complicated forms that had to be filled in and the efforts to explain what preventive measures...
I have done an interview for the 'Brainland' podcast, a series 'where neuroscience, the arts and humanities mingle'. An old college friend, doctor and cellist Steve Brown, interviewed me about how I got started in music, how I got into chamber music, what motivates...
I was in the audience this week at a concert of ‘early music'. At one point, a harpsichordist played a piece. Between two of its variations he pulled out a harpsichord stop which produced a different tone colour, and then he played a fast variation. When it was over,...
A friend has been telling me about a DVD of cellist Bernard Greenhouse giving masterclasses. Greenhouse spoke about the great Catalan cellist Pablo Casals, with whom he had studied. Casals was well-known for his love of smoking a pipe. Asked how much he smoked, he...
I recently made up a couple of cadenzas for a Haydn piano concerto. I kind of improvised them at the piano, and played them in the concert without ever writing them out. Afterwards, I thought I'd try and note them down before I forgot them entirely. Cadenzas are...
Last night's Prom offered the invigorating spectacle of the BBC Scottish Symphony Orchestra playing beautifully under their fine young conductor Ilan Volkov. One of the good effects of globalisation has been on the standards of orchestral playing. Because of the...
An American friend has sent me an article from last Friday's New York Times about piano competitions. Michael Johnson, who has served on prestigious competition juries, laments the corruption that allegedly prevails. Perhaps there are competitions whose juries engage...
I've been thinking about Charles Hazlewood's article in Monday's Guardian. He wrote about some open-air orchestral concerts he's going to conduct in a field in Somerset, explaining that he wants to bring great music out of the intimidating concert hall and into a fun...
Last night, I stupidly didn't watch the first part of the MGM Film Musicals Prom on television, and only turned on for the second half. I'm so used to concerts of this kind being slightly embarrassing; orchestras often sound uncomfortable with the idiom, and there's...
Last night we went to hear Mendelssohn's 2nd Symphony at the Proms, played by the excellent Hallé Orchestra under their conductor Sir Mark Elder. A few weeks ago, Bob reviewed all the available recordings of Mendelssohn's 2nd Symphony for Radio 3's CD Review 'Building...
The final concerts of my season took place last week at the Cerne Abbas Music Festival in Dorset with the Gaudier Ensemble. During the festival we gave a late-night performance of Messiaen's ‘Quartet for the End of Time' in a candlelit church, with no other lights...
Controversy in the press about whether Proms audiences should be discouraged from clapping so much. What's under the spotlight is the Prommers' habit of clapping in between movements, and the growing sport of racing each other to be the first to applaud vociferously...
I watched a fascinating TV drama-documentary about conductor Arturo Toscanini. During his lifetime he was famous for his expressive gestures when conducting. Orchestral musicians who played for him said that it was always perfectly clear what he wanted them to do. It...
I've started to prepare for the next festival I'm involved in, the annual chamber music festival of the Gaudier Ensemble. It takes place in the lovely old village of Cerne Abbas in Dorset in July. This year I have a few little piano solos and ten different chamber...
