Thank you to everyone who sent me a nice message after last night’s streaming of the latest concert in the Scottish Chamber Orchestra‘s digital series – on this occasion, a programme curated by their principal cellist Philip Higham and presenting two piano quartets by Mozart and Fauré.
Once again I had the impression that everyone must be stuck at home with more time than usual to think of things like writing to the performers, because I had an unusual number of appreciative responses and I believe my colleagues – Maria Wloszczowska, Felix Tanner and Philip Higham – did too.
The performance is free to watch, and remains online until 11 April. There are programme notes by David Kettle, free to read on the same web page that announces the concert.
Here also is a review of the performance by Vox Carnyx, Scotland’s new classical music website.
The Scottish Chamber Orchestra usually offers performances in orchestral format with many more players than a piano quartet, but in my view it’s an excellent and timely initiative to showcase the chamber music skills of individual players. A smaller format – just a few people on stage – lends itself so well to the current restrictions. And this type of music gives so much for talented instrumentalists to get their teeth into.
Speaking as a devoted chamber musician, I hope our current situation will give an extra boost to the profile of chamber music, a joyful repertoire which is so satisfying to play and listen to!