Blog
I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.
A competition for concertos
I spent the past couple of days popping in and out of the first round of the Concerto Class held each year by the Edinburgh Music Competition Festival. The Concerto Class is strictly for amateurs; those who get to the final are given the opportunity to play their...
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Listening bars
In today's Guardian I was reading about the Japanese tradition of 'listening bars', where customers have 'a deep, beautiful, reverential attitude to listening to music'. High-end sound systems, sometimes dominating a whole wall, convey every layer of a recorded album...
Looking over the list of books I read this year
On the last day of the year I have been looking through the list of books I read during the year. This year I seem to have read 36 books. I used to read books from the library, but the pandemic (when libraries were closed for ages) trained me out of that habit, and...
Brexit
The UK vote to leave the European Union has shocked the classical music world, particularly the young European musicians who have opted to study, live or work in the UK courtesy of EU rules and funding. I've taught them and played with them on various courses and have...
Making the tricks of memory seem natural
Recently I've had to memorise various piano pieces by Schubert. I find his music unusually hard to memorise, for a reason that throws light on why it is so profoundly satisfying. Composers often use themes or musical material which they bring back later in the piece....
Reviews: how can we quote them if the press doesn’t print them?
Two recent topics of conversation have come together in my mind to prompt a question. Topic 1: the number of classical concert reviews is shrinking rapidly. Everyone in the profession has noticed it. Many newspapers are reducing the number of classical reviews they...
Vigilance
We have a lovely cat, Daisy, whom we 'rescued' from a cat shelter. Shortly after she moved in, another cat got in through the catflap one evening. We were out and didn't see what happened, but the two cats had clearly had an epic struggle. Clumps of cat fur were on...
A moment of visibility
At the weekend I had an unusual experience. Following the conclusion of BBC Young Musician and viewers' anger that the result was so under-reported, I wrote a letter to The Guardian about the wider issue. We've heard a lot recently about orchestras folding, opera...
My letter in today’s Guardian
In today's Guardian I have a letter which aroused quite a lot of interest when it appeared online yesterday. Please share it if you agree. Here's what I said: 'Much of the recent discourse around classical music and its troubles has contained a subtext of glee at the...
Battle of repertoire
BBC Young Musician came to a close last night with the wonderful young cellist Sheku Kanneh-Mason being declared the winner after his remarkably mature and thoughtful performance of Shostakovich's first cello concerto. His charming, modest response on being asked how...
BBC Young Musician’s ‘accs’
BBC Young Musician is underway on BBC4, and once again the talent and accomplishment of the young players is absolutely admirable. To watch and listen to them is inspiring and gives one great hope for the next generation of classical musicians. Having said that, I am...
Precision drifting
Last week I was in Rome, where I walked into a church one day to hear a group of about twenty nuns chanting an evening service. (I say 'chanting' because it wasn't exactly singing, nor was it exactly speaking, but some melodious hybrid of the two.) There was a small...
‘Reflets dans l’Eau’ played in the BBC Studio
It's just a week now until my Queen's Hall solo recital on 25 April at 7.30pm. The programme is called 'Pioneers of the Piano' and celebrates some of the composers who wrote in new ways for the piano, or showed it in a different light. I played the programme at...
How to listen to everything
I'm reading Ben Ratliff's 'Every Song Ever', an intriguing guide to how to get the most out of the huge range of recorded music now freely available. If I understand him correctly, he feels that there has been a shift from 'the composer' to 'the listener' at the top...
Status, yes/no
In my travels as a guest tutor I come across post-grad and young professional musicians from lots of different countries. For some time now I've made it a habit to ask them how they're getting on with making their way in the classical music profession - easy or...