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I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.

London Piano Festival this weekend
On Sunday of this week I'll be playing a programme of piano music by historical women pianists at the London International Piano Festival at King's Place. Mine is the closing concert of the festival, at 3pm on 6th October. If you live in or near London, please...
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Competitions then and now
I've been watching the BBC Young Musician competition on television for many years now. Slowly, the competition has slipped from the major channels and is now shown on BBC4, whose output currently seems to consist of repeats, archive material and cultural things that...

‘Con accuratezza’
Tomorrow I'm playing a solo recital at the Lammermuir Festival, a lovely festival which takes place in various locations, sacred and secular, across the beautiful county of East Lothian in Scotland. I have practised my programme to the point of feeling a keen desire...
Unusual challenges on the platform
I was doing some teaching at Oxford University the other day, and we were discussing the challenges of making a good entrance on to the concert platform when giving a recital as part of your exams. I was discoursing on the need for calm or confidence, and trying to...
Piano practice and neighbours
Several people including a lawyer have sent me a link to yesterday's BBC news story about a pianist in Spain whose neighbour took her to court over her piano practising, alleging 'psychological harm' from having to listen to it. Spanish prosecutors had initially...
Messages out of the blue
Here I am talking with a talented young pianist at the very enjoyable masterclass I gave at Bowdoin College in Maine a few days ago. It was enjoyable partly because of the students and partly because of the audience, which included some townsfolk not used to coming to...
Outsider Art
Here I am in conversation yesterday with Professor Mary Hunter in the Studzinski Recital Hall during the Klavierfest at Bowdoin College, Maine. We were billed to talk to the audience about various issues to do with performing, but as many conversations do these days,...
One chord, two chords, three … or more
Lou Reed of the Velvet Underground, who died this week, famously said (tongue in cheek, I suppose) that when you're composing a song, 'one chord is fine, two chords are pushing it. Three chords and you're into jazz'. I had that quote in my mind last night as I...
City Music Society on 16 Oct
City Music Society, which holds its concerts at Bishopsgate Institute near Liverpool St Station in London, is starting its 'early evening' autumn series on Wednesday night, 16 October, with a piano recital by me. Tickets are free for students under 25 with valid ID....
Ragtime piano hands
I'm preparing an interesting recital programme at the moment for a concert in Salzburg on October 23. Tomorrow I'm trying it out for an invited audience in London. The programme focuses on Billy Mayerl and his favourite composers. Billy Mayerl, the pianist at the...
An open gate at Prussia Cove
I have spent the week down at Prussia Cove in Cornwall at the autumn IMS chamber music seminar, together with 50 musicians from around the world. We battle up and down the cliff paths against the wind. Musicians and their instrument cases loom out of the mist in the...
Cognitive advantage
A doctor friend has sent me an excerpt from the current edition of the British Medical Journal in which their writer 'Minerva' reports: 'Great composers have tended to die young, but great performing musicians often carry on getting better as they get older. An...
Munich competition afterthoughts
Since the end of the ARD Competition in Munich I have been mulling over the concept of competitions. Of course we all understand the point of competitions, and many are prepared to put up with the negative aspects in the hope of benefitting from the positive ones....
Munich competition ends
The ARD-Competition in Munich ended with three out of the four categories (violin, viola, bassoon, piano trio) awarding no first prize. Only Yura Lee won a first prize in the viola category. I wonder if it is generally realised by the public that the rules in Munich...
Tools of the trade
I am still working on the jury of the ARD Competition in Munich, which reaches the Final of the piano trio competition on Saturday. Obviously I can't write anything about the competitors, but I can say how interesting it has been to hear so many different groups...