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I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.
Take 1, 13, 21, 47, 109, 205
I've returned from London, where I recorded an album for Hyperion of piano music by some of the women featured in my book. I had a wonderful recording team. Incredibly, it's now 40 years since I first recorded an album with producer Andrew Keener, now a doyen of the...
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Unyoking the horses
Today's blog post is on quite a niche subject. When I was writing a short biography of pianist Sophie Menter (1846-1912) for Women and the Piano, I mentioned some of the extravagant things her fans used to do to show their adoration. When she played in Copenhagen in...
Proofreading your own words
I have been proofreading my book about Nocturnes, which has reached the stage of being typeset. This is the point at which it starts to look like a proper book. As the author, you dare to believe that it will one day really be published and start to live in heads...
Unusual challenges on the platform
I was doing some teaching at Oxford University the other day, and we were discussing the challenges of making a good entrance on to the concert platform when giving a recital as part of your exams. I was discoursing on the need for calm or confidence, and trying to...
Piano practice and neighbours
Several people including a lawyer have sent me a link to yesterday's BBC news story about a pianist in Spain whose neighbour took her to court over her piano practising, alleging 'psychological harm' from having to listen to it. Spanish prosecutors had initially...
Messages out of the blue
Here I am talking with a talented young pianist at the very enjoyable masterclass I gave at Bowdoin College in Maine a few days ago. It was enjoyable partly because of the students and partly because of the audience, which included some townsfolk not used to coming to...
Outsider Art
Here I am in conversation yesterday with Professor Mary Hunter in the Studzinski Recital Hall during the Klavierfest at Bowdoin College, Maine. We were billed to talk to the audience about various issues to do with performing, but as many conversations do these days,...
One chord, two chords, three … or more
Lou Reed of the Velvet Underground, who died this week, famously said (tongue in cheek, I suppose) that when you're composing a song, 'one chord is fine, two chords are pushing it. Three chords and you're into jazz'. I had that quote in my mind last night as I...
City Music Society on 16 Oct
City Music Society, which holds its concerts at Bishopsgate Institute near Liverpool St Station in London, is starting its 'early evening' autumn series on Wednesday night, 16 October, with a piano recital by me. Tickets are free for students under 25 with valid ID....
Ragtime piano hands
I'm preparing an interesting recital programme at the moment for a concert in Salzburg on October 23. Tomorrow I'm trying it out for an invited audience in London. The programme focuses on Billy Mayerl and his favourite composers. Billy Mayerl, the pianist at the...
An open gate at Prussia Cove
I have spent the week down at Prussia Cove in Cornwall at the autumn IMS chamber music seminar, together with 50 musicians from around the world. We battle up and down the cliff paths against the wind. Musicians and their instrument cases loom out of the mist in the...
Cognitive advantage
A doctor friend has sent me an excerpt from the current edition of the British Medical Journal in which their writer 'Minerva' reports: 'Great composers have tended to die young, but great performing musicians often carry on getting better as they get older. An...
Munich competition afterthoughts
Since the end of the ARD Competition in Munich I have been mulling over the concept of competitions. Of course we all understand the point of competitions, and many are prepared to put up with the negative aspects in the hope of benefitting from the positive ones....
Munich competition ends
The ARD-Competition in Munich ended with three out of the four categories (violin, viola, bassoon, piano trio) awarding no first prize. Only Yura Lee won a first prize in the viola category. I wonder if it is generally realised by the public that the rules in Munich...
Tools of the trade
I am still working on the jury of the ARD Competition in Munich, which reaches the Final of the piano trio competition on Saturday. Obviously I can't write anything about the competitors, but I can say how interesting it has been to hear so many different groups...