Blog
I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.
Presto Music Awards 2021
Today I learned that my book The Piano - a History in 100 Pieces has been named as a Book of the Year 2021 in the Presto Music Awards. I feel very fortunate that it has now been chosen as a Book of the Year in The Spectator, the Financial Times and the Presto Music...
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Financial Times ‘Books of 2021’
The Financial Times has been publishing its 'Books of 2021', category by category across recent days, and now they have arrived at Classical Music. I'm proud to see that my piano book is one of their Books of 2021. This is the link, but unless you're a subscriber it...
My piano book is in The Spectator’s ‘Books of the Year’
An exhilarating moment in an otherwise quiet stretch of autumn: Jenny Colgan has chosen my piano book as one of her Books of the Year in The Spectator (the print edition comes out on 13 November). She calls it 'one of the two most beautiful books I got my hands on...
Haydn among the asparagus
Up at 6am to fly to Frankfurt and then on by road to the Schwetzingen Festival, where my trio is opening a series of concerts celebrating Haydn's wonderful piano trios. Arriving suddenly in Schwetzingen on a Sunday lunchtime makes me realise that I carry my London...
Trio Masterclasses
My trio has just spent two days giving masterclasses to three excellent postgraduate piano trios: the Trio Duecento Corde from Hungary, the Pescatori Trio from Germany, and the Van Halsema Trio who are currently based in London. Each year, the standard of playing...
Dragging her bowl
Our tortoiseshell cat Tashi, now nearly 14 years old, has taken to dragging her water bowl around on the wooden floor of the kitchen. From a nearby room we'd occasionally hear a strange, effortful scraping sound from the direction of the kitchen, as though a small...
A Bengali Romeo
We went to the Tara Arts Centre in Wandsworth to see ‘People's Romeo', a delightful cross-cultural production re-telling Shakespeare's ‘Romeo and Juliet' in a simplified form, as might be used by travelling actors in a Bengali market-place. The performance took place...
Simon Bolivar Youth Orchestra
To the Festival Hall this morning with Bob to attend an Open Rehearsal of the Simon Bolivar Youth Orchestra from Venezuela. By the time we got round to asking about tickets for their two London concerts, they had long been sold out. This open rehearsal is our only...
The difficulty of being good all the way through
We went to the Orange Tree Theatre to see the premiere of a play, ‘The Story of Vasco', translated and adapted by Ted Hughes from an original play by Lebanese writer Georges Schehadé. Hughes' adaptation had never before been performed in its entirety; the director had...
A Rolls-Royce of a recording
Our record producer Andrew Keener sends his ‘suggested version' of the trio's newest Haydn disc in the post. He has worked through all the material we recorded over three days in the studio, stitching together his preferred versions of the takes. Now it's for the...
Mozart’s sister
In the Mozart exhibition in Salzburg I learned some new things about his sister, Nannerl. I knew that Nannerl played the piano too - partly because there's a famous painting of the two of them side by side at the piano, playing duets - but I hadn't realised that when...
Salzburg in the Snow
I've just been to Salzburg to play a concert in the Mozarteum with the Gaudier Ensemble. Leaving London in spring weather, it was startling to find ourselves walking through the Mirabell Gardens a few hours later in heavy snow. How strange travel is! One minute you're...
Musicians’ Collective
Went to a jazz gig performed by a group called ‘Way Out West', a collective of about twenty jazz musicians who live in this part of London. Seven of them were there on the night, plus two singers out of the three who were advertised. They explained that ‘Way Out West'...
Splinter groups
I went to the Linbury Studio at the Royal Opera House recently to hear a double bill of contemporary operas. Looking around the audience of several hundred, it struck me that I didn't recognise a single person, even though I've been going to concerts and playing...
Costume drama
Every year I feel I have to update my wardrobe of concert clothes, which is a pain because each season I have less and less of a clear idea of how I should look. But what I wear has always been noticed by people in the audience, who comment on it enough to make me...