On the radio the other day they were talking about albums of recorded music, and whether the concept of 'an album' still makes any sense in an era of singly streamed tracks. Commentators thought that there were certain albums, for example Amy Winehouse's 'Back to...
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The July issue of Gramophone has a review of my Nocturne book. The link doesn't always seem to give access to the full article, so here's the text: Claire Jackson reads Susan Tomes’s survey of the history of a genre – Nocturnes and the Fascination of Night Music 'I...
My Nocturne book has just come out in Australia. I recently did a podcast interview about it for Readings Books in Melbourne, 'Australia's favourite independent bookstore'. The interviewer is Nico Callaghan. The podcast is hosted by the bookstore and you can listen to...
On Saturday, I appeared at the Wigtown Book Festival in Dumfries and Galloway in the west of Scotland (see photo of me being interviewed by Stuart Kelly). Wigtown is Scotland's 'national book town', boasting an astonishing number of bookshops for a small town which is...
After managing to avoid Covid for two and a half years, I have now come down with it. It hasn't been fun - suffice it to say I'm very glad I didn't get the virus until I was fully vaccinated. While staying out of everyone's way, I have had the chance to read. My...
Hearing of the death of renowned theatre director Peter Brook, I went back to my book Beyond the Notes in which I described going to Paris in 1982 to ask his advice about how to keep our chamber music group Domus alive and in good heart despite the many difficulties...
I have just been reading an astonishing little book which a friend lent me - The Death of Franz Liszt, based on the unpublished diary of his pupil Lina Schmalhausen (Cornell University Press, 2002). The distinguished Liszt biographer Alan Walker came across Lina's...
Readers of my books might like to see a couple of mentions which have popped up recently in the US. The first is in the New York publication The Browser, whose mission is to send its subscribers a daily selection of good writing from around the world. Editor Robert...
At the end of December, I usually reflect on my favourite concerts of the year. This year however, as you will know all too well, we spent the entire year in a pandemic. Concert life is still badly impacted, and freelance musicians have been more impacted than most....
Today I learned that my book The Piano - a History in 100 Pieces has been named as a Book of the Year 2021 in the Presto Music Awards. I feel very fortunate that it has now been chosen as a Book of the Year in The Spectator, the Financial Times and the Presto Music...
An exhilarating moment in an otherwise quiet stretch of autumn: Jenny Colgan has chosen my piano book as one of her Books of the Year in The Spectator (the print edition comes out on 13 November). She calls it 'one of the two most beautiful books I got my hands on...
Renowned piano teacher and educator Murray McLachlan has reviewed my book in International Piano: https://www.rhinegold.co.uk/international_piano/the-piano-a-history-in-100-pieces/ To read more reviews of this book, click here
The quarterly magazine Musical Opinion has a review of my book in its October-December 2021 issue. Some excerpts from Julian Jacobson's review: 'Susan Tomes' new book is aimed at the informed amateur or mélomane, in the untranslatable French word: the Radio 3 (perhaps...
Another nice review of The Piano - a History in 100 Pieces, this time on David Barton Music, the website of an educator and researcher. He begins with a description of the book's contents - and here's how he sums up: 'Tomes explores each selected piece in turn,...
The October issue of the venerable Gramophone magazine has a review of my new book. I reproduce some of it here as the magazine is behind a paywall. The reviewer, Jeremy Nicholas, has quibbles about my choice of pieces, wondering why I included this and not that, but...