I spent the past couple of days popping in and out of the first round of the Concerto Class held each year by the Edinburgh Music Competition Festival. The Concerto Class is strictly for amateurs; those who get to the final are given the opportunity to play their...
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In today's Guardian I was reading about the Japanese tradition of 'listening bars', where customers have 'a deep, beautiful, reverential attitude to listening to music'. High-end sound systems, sometimes dominating a whole wall, convey every layer of a recorded album...
On Sunday of this week I'll be playing a programme of piano music by historical women pianists at the London International Piano Festival at King's Place. Mine is the closing concert of the festival, at 3pm on 6th October. If you live in or near London, please...
An interesting discussion with the NZ Trio who are visiting London this week from their native New Zealand. We were talking about the challenge of performing some of the very long works in the trio repertoire, such as the Schubert trios (40-50 minutes). Many of our...
To the First Night of the Proms last night, courtesy of some kind friends who had rented a box in the Royal Albert Hall. Benjamin Grosvenor, an excellent young British pianist who has only just turned 19, played Liszt’s second piano concerto with great finesse and...
At a Gaudier Ensemble rehearsal last week my colleagues, who come from various European countries, were discussing the unstoppable rise in pitch. Here in England we still tune to A=440 Hz, which has been ‘standard pitch’ since the mid-twentieth-century, though in the...
This morning in the village church of Cerne Abbas, we invited the children of the local primary school to come and listen to a rehearsal of Aaron Copland's attractive piece, Appalachian Spring (part of tonight's concert programme). It lasts around 25 minutes, quite a...
I'm in rural Dorset to take part in one of those thriving summer music festivals never mentioned in the Guardian's guide to same. This will be the 21st annual festival run by the Gaudier Ensemble; I've been 'at the piano' for eighteen of those years. Despite the...
I wish I could have been a fly on the wall during the jury’s deliberations on the Cardiff Singer of the World final on Sunday night. I’d watched most of the other rounds and had realised it was going to be a difficult choice. It was an exceptionally good line-up, and...
I'm off to the Florestan Festival in East Sussex today. I always enjoy imagining people setting off towards Peasmarsh from many different compass points. Most of our rehearsals have happened to the accompaniment of pouring rain, so we can only hope the spell of wet...
A lovely evening at Wigmore Hall last night listening to jazz from pianist Gwilym Simcock and 'reeds' player Klaus Gesing. What a well-matched duo they are, both superb musicians and excellent instrumentalists as well. Their ensemble playing was a lesson in how to be...
The July issue of Classic FM magazine, just out, is devoted to 'discovering the genius of Mendelssohn'. They asked me to write a little 'artist's view' of playing Mendelssohn's piano music, and my article is on p48. For those who don't have the chance to buy the...
I've been adjudicating a couple of prizes recently at music colleges. As usual these days, some of the most striking performances have been provided by musicians from China, Korea and Japan. I'm starting to get used to the excellence of their contributions, but from...
A few weeks ago I attended an astonishing concert given by the pianist Jacob Barnes and three of his friends from the Royal Academy of Music. Jacob had been suffering from a rare kind of leukaemia for two years. His presence on the platform was a source of wonder and...
I read last week of the death of ex-Sony chief Norio Ohga, the ‘father of the CD’. When Sony launched the CD format in 1982, Mr Ohga insisted that a disc must be long enough to contain his favourite piece, Beethoven’s Ninth Symphony. This determined the 75-minute...