I was in Cambridge at the weekend to give a piano recital as part of the events marking fifty years of women as undergraduates at King's College, Cambridge. As well as playing a concert, I was also there to see the opening of a special exhibition: Fifty Portraits, a...
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This week I'm giving a recital of music by historical women pianist-composers. I'll be playing an Erard grand piano made at the end of the 19th century by the firm of Sebastien Erard in Paris. (Officially the piano is dated around 1900, but a technician told me he...
The Coronation of King Charles III came in the same week that we heard the organisation Psappha, which promotes new music, had been forced to close because of funding problems. This in itself followed hard on the heels of threats to close the BBC Singers and reduce...
Yesterday I went to a concert in memory of the Hungarian violinist Sandor Vegh who founded the International Musicians' Seminars in Prussia Cove, which I attended as a student for many years. Vegh died on 7 January 1997 and for the past few years, a group of string...
I've just finished reading a fascinating book published in 1944: The Baton and the Jackboot, by Berta Geissmar, the personal assistant of conductor Wilhelm Furtwangler during his great days in Germany. After Geissmar had been forced to leave Germany during the Hitler...
A friend of ours is in a West End play at the moment, and I wanted to read the reviews. Simply by typing the name of the play into Google News, I had all the reviews lined up neatly before me. Click! click! click! click! click! and I had surveyed the full range of...
Interesting article the other day in The Guardian about the fact that many people now chat online about what they’re watching on TV, while they’re watching it. They don’t wait for the end of the programme, but start commenting on Twitter right away about things that...
To a viol masterclass given by the eiminent Catalan viol player Jordi Savall at the Royal College of Music. As always happens when I listen to 'early music', it took me a little while to tune in to the quiet sound level favoured by the players. It's so different from...
Went to a marvellous cello masterclass given by Johannes Goritzki at the Royal College of Music. He spent hours persuading the students that playing the cello was easier than they thought, just a matter of applying weight in the right place, not working against the...
Here's something I hadn't seen before: an asymmetrical viola. Its owner, Rivka Golani, showed it to us when Bob interviewed her for Putney Music society this week. Rivka explained that the maker of the viola, Otto Erdesz, believed that the unusual cut-out on the...
At ChamberStudio yesterday we were working on a piece by Prokofiev. We were discussing the kind of piano writing that's often found in works by Russian composers of the Soviet era. As the writing is typically rather spare and empty-looking on the page, with a...
I was teaching at the Guildhall today. All the students were excellent – that didn’t surprise me, because I know what a high standard there is at London’s big music colleges these days. Not one of my students was British – that didn’t surprise me either. What did...
This Thursday morning, 11 November, from 10am-1pm in the Guildhall School of Music and Drama, I'm giving a masterclass in 'the art of piano chamber music', working with chamber groups from the Guildhall. The class will be in the Music Hall. The event is free and open...
Today, 27 October, at 1pm on Radio 3 you can hear the broadcast of a bassoon and piano recital given by Rachel Gough, the excellent principal bassoon of the London Symphony Orchestra, and me. The concert was part of a series at LSO St Luke's in the City of London,...
Yesterday, when I was coaching at King's Place, we had a tea break between sessions. Some of the younger participants were airing their current dilemmas about fees and conditions. In particular, they were wondering aloud about their situation as young professionals:...