It was great to be part of the RSNO chamber series in Glasgow yesterday afternoon in its first 'live' concert for an in-person audience since the pandemic. That's a gap of almost three years! Photo shows (L to R) cellist Pei Jee Ng, me, violist Tom Dunn, violinist...
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I'm preparing for a solo recital at Kettle's Yard museum in Cambridge on November 24th. Kettle's Yard is a beautiful little museum which began in the 1950s as a personal art collection by Jim Ede, who used his own house as the display venue. It was the first gallery I...
BBC Young Musician 2022 reaches its climax tonight when the winners of five categories - strings, wind, brass, percussion and piano - compete to be crowned 'BBC Young Musician of the Year'. The competition is on BBC4 at 7pm. I think if it were up to me, I'd stop at...
The other night, at the theatre, I was amazed by how freely people in the audience were coughing. At one point, the coughs became so frequent that it was like hearing bull-frogs calling to one another at night from different parts of the swamp. I actually started to...
At last the printed score has arrived for the trio by Huw Watkins. We’re giving the world premiere in the Wigmore Hall on November 25. When the newly published score arrived, I already knew the notes of the piano part, because I’ve been working from an electronic PDF...
I’ve just realised that this is my hundredth blog post on this website. I am a centenarian! To celebrate, here’s a sweet story I heard from Mark Morris when I attended his question-and-answer session the other night at Sadler’s Wells. He was complaining about someone...
Yesterday I was astounded to hear a golfer talking on the radio about the current trend whereby competitors in golf championships are ferried from tee to green in little buggies. When asked whether it was really so hard to walk that short distance, the golfer replied...
One of the professors at the RSAMD said a very interesting thing when I was there the other day. We were talking about the difference that the existence of recordings has made to learning new works. He said that it's quite common for his students to come to their...
Fascinating article in today’s Guardian about the hidden antagonism which some top sportsmen feel, or come to feel, towards their chosen sport. It seems they’re reluctant to voice such feelings because they know the general public regards them as fortunate beyond...
We had dinner last night with a friend who plays professionally in a string quartet. He’d been coaching a young string quartet from Paris. They got to talking about rehearsal venues, always a vexing problem for chamber groups and one that I and my friends have never...
In the past few days I’ve spent some time studying scores of pieces I’m going to be teaching in a masterclass at the RSAMD this week. The date has been in my diary for a long time, but because the academic year only began a couple of weeks ago, it was impossible to...
To Steinway Hall in London, to choose a piano for the Florestan Trio’s Hyperion recording of Shostakovich next January. Whenever I'm able to select an piano, I have to do my research well ahead of time, because the best ones get booked up months in advance. Each...
Philippa Ibbotson’s article in Wednesday’s Guardian about ‘the myth of the maestro’ has stirred up a lot of interest. Last time I looked, there were about 130 comments on the Guardian blog. The article questioned the enormous fees paid to orchestral conductors,...
After lamenting the lack of music in Venice churches, I had the opposite experience yesterday when attending Evensong in the Chapel of King’s College, Cambridge. It’s always uplifting to hear the Chapel resounding to the pure intonation and chiselled phrases of the...
I’ve just been in Venice for a few days. The city was on the cusp of autumn – warm and sunny but with thunderstorms looming, and mist in the morning on the day we left. We visited about 547 churches. As ever in Italy, I’m disappointed by how rarely one hears any music...