On Saturday there was a lovely article in The Guardian about Paul Barton, a man who plays the piano to elephants at an elephant sanctuary in Thailand. The elephants have often been overworked or mistreated before they come to the sanctuary, but it seems that they...
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There was an article in The Guardian this week about the dwindling number of highly-trained piano tuners in Australia. Not only is the pool of piano tuners getting smaller, it is in danger of not being replenished because there aren't enough training courses in this...
Hyperion Records, which was recently bought by Universal, has decided to make its catalogue of recordings available on streaming platforms for the first time. The first batch of 200 Hyperion recordings has just gone up on Apple Music, Spotify, iTunes and so on. As the...
An interesting discussion with the NZ Trio who are visiting London this week from their native New Zealand. We were talking about the challenge of performing some of the very long works in the trio repertoire, such as the Schubert trios (40-50 minutes). Many of our...
At a Gaudier Ensemble rehearsal last week my colleagues, who come from various European countries, were discussing the unstoppable rise in pitch. Here in England we still tune to A=440 Hz, which has been ‘standard pitch’ since the mid-twentieth-century, though in the...
This morning in the village church of Cerne Abbas, we invited the children of the local primary school to come and listen to a rehearsal of Aaron Copland's attractive piece, Appalachian Spring (part of tonight's concert programme). It lasts around 25 minutes, quite a...
I'm in rural Dorset to take part in one of those thriving summer music festivals never mentioned in the Guardian's guide to same. This will be the 21st annual festival run by the Gaudier Ensemble; I've been 'at the piano' for eighteen of those years. Despite the...
We have a pair of resident blackbirds in our garden, and every day the male blackbird perches on the chimney and sings loudly, especially at dusk. He seems to have several ‘songs’ or sequences of phrases which he sings over and over. I’ve heard them hundreds of times,...
An interesting discussion with students about whether it’s right to ‘scale things up’ to 21st century tastes when playing 18th/19th century music. They had played Beethoven so powerfully and with such speed and ringing ‘attack’ that I found myself wondering whether...
To Cambridge, where I heard a fine May Week concert at King’s College. (As Clive James pointed out in the title of a book of memoirs, May Week is in June.) It was great to hear that the tradition of excellent music-making continues, even though ‘performance’ is only a...
After I had finished my rehearsal in Rye Church in East Sussex the other day, I was standing outside the church waiting for the rain to stop, and my eye fell on the War Memorial commemorating local men who had given their lives in the World Wars of 1914-19 and...
I yield to no-one in my devotion to The Guardian, which I read every day, but I’ve been struck recently by what seems to be a disturbing policy of excluding classical music from discussions of ‘music’. A few weeks ago the paper published a 50-page guide to summer...
I'm off to the Florestan Festival in East Sussex today. I always enjoy imagining people setting off towards Peasmarsh from many different compass points. Most of our rehearsals have happened to the accompaniment of pouring rain, so we can only hope the spell of wet...
Saw a quietly beautiful Italian film, Le Quattro Volte, directed by Michelangelo Frammartino. It was inspired by Pythagoras's belief that each of us contains four interlinked lives: human, animal, vegetable and mineral. 'Man is made of mineral, because he has a...
On Monday, Mark Lawson wrote in the Guardian about how politicians are averse to being associated with 'high art' because they don't wish to be seen as 'élitist'. In today's paper there are several letters in reply, one of them from me.