Channel 4's series The Piano began its second series last night. It's always interesting to see the different playing styles of the pianists who put themselves forward to play a station piano in front of a crowd of listeners. Some of them play beautifully. However,...
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Today is 'World Piano Day' (as if every day wasn't piano day!) and Yale University Press has been tweeting a little clip of me talking about the French pianist-composer Hélène de Montgeroult. De Montgeroult is one of the pianist-composers featured in my new book Women...
On Monday there was a report in The Guardian about the benefits of being involved in music. This time it was, 'Playing a musical instrument or singing is linked to better memory in older age'. To my delight the next paragraph began, 'The piano was especially...
During lunch in a tiny village in the forests of Le Sidobre, in Languedoc, we got into conversation with an elderly lady who told us that she spoke Occitan as a child, before she was required to learn French. At our request, she spoke some Occitan to us, the only time...
An exhibition of artistic sculptures based on pink garlic – how could I resist when I saw the poster outside the tourist office in Lautrec? Pink garlic is a local speciality, but despite its undoubted charms it didn't seem a promising material for sculpture. I...
An interesting conversation at lunch today about choosing music as a career despite the misgivings of one’s parents. Everyone at the summer school had had some form of The Conversation about whether music was an acceptable profession. Many recalled that they were...
I'm teaching on a lovely summer course for pianists in the south of France. As I write, people are practising in the rooms all around me - everything from Schumann's Fantasy to Beethoven's opus 110, Debussy Preludes and Liszt's Vallée d'Obermann. Put together, we...
To the Royal Academy Summer Exhibition, where the first thing one sees is ‘Work no 998’ by Martin Creed, four chairs balanced on top of one another in a tapering pile, an orange office chair at the bottom, a child’s formica chair at the top. This is the kind of thing...
An interesting discussion with the NZ Trio who are visiting London this week from their native New Zealand. We were talking about the challenge of performing some of the very long works in the trio repertoire, such as the Schubert trios (40-50 minutes). Many of our...
At a Gaudier Ensemble rehearsal last week my colleagues, who come from various European countries, were discussing the unstoppable rise in pitch. Here in England we still tune to A=440 Hz, which has been ‘standard pitch’ since the mid-twentieth-century, though in the...
This morning in the village church of Cerne Abbas, we invited the children of the local primary school to come and listen to a rehearsal of Aaron Copland's attractive piece, Appalachian Spring (part of tonight's concert programme). It lasts around 25 minutes, quite a...
I'm in rural Dorset to take part in one of those thriving summer music festivals never mentioned in the Guardian's guide to same. This will be the 21st annual festival run by the Gaudier Ensemble; I've been 'at the piano' for eighteen of those years. Despite the...
We have a pair of resident blackbirds in our garden, and every day the male blackbird perches on the chimney and sings loudly, especially at dusk. He seems to have several ‘songs’ or sequences of phrases which he sings over and over. I’ve heard them hundreds of times,...
An interesting discussion with students about whether it’s right to ‘scale things up’ to 21st century tastes when playing 18th/19th century music. They had played Beethoven so powerfully and with such speed and ringing ‘attack’ that I found myself wondering whether...
To Cambridge, where I heard a fine May Week concert at King’s College. (As Clive James pointed out in the title of a book of memoirs, May Week is in June.) It was great to hear that the tradition of excellent music-making continues, even though ‘performance’ is only a...