On Saturday there was a lovely article in The Guardian about Paul Barton, a man who plays the piano to elephants at an elephant sanctuary in Thailand. The elephants have often been overworked or mistreated before they come to the sanctuary, but it seems that they...
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At a book sale at the weekend I picked up a copy of Heinrich Neuhaus's book The Art of Piano Playing. Neuhaus, who devoted the main part of his career to teaching at the Moscow Conservatory, was the teacher of Sviatoslav Richter, Emil Gilels and Radu Lupu among...
Last week I took part in the Cerne Abbas Music Festival, held by the Gaudier Ensemble in rural Dorset. For the past thirty-two years, the same group of musicians has been gathering in Cerne for a week in the summer, to present a series of chamber music concerts in the...
One of our Christmas presents this year was Dan Lepard’s Short and Sweet, a wonderful new book of baking recipes – breads, cakes, pies, desserts. The word ‘short’ presumably refers to pastry and not to the book itself, which is notably long (and sweet). My eye fell...
Coming back from Edinburgh on the train, I was sitting next to a girl who was knitting something very intricate on four slender knitting needles. She was following a pattern so complicated that she had to pause every other stitch and consult it. Eventually I asked...
To King's Place to hear the Hungarian piano professor Ferenc Rados teach a public masterclass for several chamber groups. I know lots of people who have had memorable lessons with Ferenc Rados in recent years, though I myself hadn't seen him since I played to him in...
I'm on my way to Scotland for the start of my Mozart Series with violinist Erich Höbarth. On Friday evening we're playing our opening concert in the Horsecross Concert Hall in Perth, one of Scotland's newest arts centres. For this series, I've been preparing nearly...
How nice it is to work with young musicians at that interesting crossroads when they're emerging from higher education and developing their own identities as professional musicians. They are no longer dependent on teachers (sometimes they no longer have access to...
I'm teaching on a lovely summer course for pianists in the south of France. As I write, people are practising in the rooms all around me - everything from Schumann's Fantasy to Beethoven's opus 110, Debussy Preludes and Liszt's Vallée d'Obermann. Put together, we...
Violinist Gidon Kremer has, I hope, set the cat among the pigeons with his decision to pull out of the Verbier Festival in Switzerland. His letter of explanation is long and somewhat rambling, but perhaps he did not have the time to make it shorter. In any case, his...
This morning in the village church of Cerne Abbas, we invited the children of the local primary school to come and listen to a rehearsal of Aaron Copland's attractive piece, Appalachian Spring (part of tonight's concert programme). It lasts around 25 minutes, quite a...
I wish I could have been a fly on the wall during the jury’s deliberations on the Cardiff Singer of the World final on Sunday night. I’d watched most of the other rounds and had realised it was going to be a difficult choice. It was an exceptionally good line-up, and...
Saw a quietly beautiful Italian film, Le Quattro Volte, directed by Michelangelo Frammartino. It was inspired by Pythagoras's belief that each of us contains four interlinked lives: human, animal, vegetable and mineral. 'Man is made of mineral, because he has a...
A lovely evening at Wigmore Hall last night listening to jazz from pianist Gwilym Simcock and 'reeds' player Klaus Gesing. What a well-matched duo they are, both superb musicians and excellent instrumentalists as well. Their ensemble playing was a lesson in how to be...
The July issue of Classic FM magazine, just out, is devoted to 'discovering the genius of Mendelssohn'. They asked me to write a little 'artist's view' of playing Mendelssohn's piano music, and my article is on p48. For those who don't have the chance to buy the...