I'm enjoying the lull between major sports events - the Euros Football Tournament and the Wimbledon Tennis Championships just passed, and the Olympics which start in Paris at the end of the coming week. I got quite engrossed in both the tennis and the football,...
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I have done an interview for the 'Brainland' podcast, a series 'where neuroscience, the arts and humanities mingle'. An old college friend, doctor and cellist Steve Brown, interviewed me about how I got started in music, how I got into chamber music, what motivates...
Debussy's Prelude 'La Puerta del Vino', from his second book of Preludes for piano (written 1912-13), has been one of my favourites for a long time. I've always loved its evocation of harsh guitar music, flamenco singing and the rhythms of the habañera. Long ago I...
Clearing out old files this week I came across an article called 'A Talk with Gyorgy Sebok', from a 1976 edition of Piano Quarterly. It was an interview of the Hungarian piano guru Gyorgy Sebok by a colleague, pianist Seth Carlin. Sebok taught in Indiana University;...
I'm back from the 26th annual festival of the Gaudier Ensemble in Dorset. Over the years this gathering of chamber music specialists from around Europe has come to feel quite special. As our lives have become increasingly complicated, it feels remarkable that each...
This morning there was a discussion on Radio 4 about the response of the arts in the UK to the Brexit vote. Contributors rightly said that there is much we can and must do to understand who we are, what are the social issues facing us, how can we forge a constructive...
In today's Guardian I have a letter which aroused quite a lot of interest when it appeared online yesterday. Please share it if you agree. Here's what I said: 'Much of the recent discourse around classical music and its troubles has contained a subtext of glee at the...
Last week I was in Rome, where I walked into a church one day to hear a group of about twenty nuns chanting an evening service. (I say 'chanting' because it wasn't exactly singing, nor was it exactly speaking, but some melodious hybrid of the two.) There was a small...
An exciting week lies ahead, with a whole cluster of works - nine, in fact - to perform in the space of four days. I'm doing a residency with the wonderful period-instrument quartet, Quatuor Mosaiques, in Perth Concert Hall (in Scotland, before any Australians start...
Last week I played a lunchtime recital in Aberdeen, the first time I'd played in the city for ages. I took a train early enough to allow me to see sunrise over the Firth of Forth, followed by a spectacular curve around the coastline of Fife as the first light was...
Over the Christmas holidays I've been talking with friends and family about the topic of my next book. I've got some ideas of my own, but one night someone suggested to me that I could 'crowd-source' ideas from people who read my blog. If 'crowd-source' seems a little...
I haven't written anything here for a while because I've been away at the International Musicians' Seminar 'Open Chamber Music' in Prussia Cove, Cornwall. We had a week of rehearsals in Prussia Cove (see photo), and then eight of us did a week of touring, giving five...
A reader has reproached me for not including the classic Richard Tauber recording in my previous blog post about different versions of Léhar's aria 'Dein ist mein ganzes Herz'. He points out that the composer actually wrote with Tauber's voice in mind, so mine was...
Sad news about the death of Peter Cropper, inspirational first violinist of the Lindsay Quartet. I didn't know Peter so well myself, but always felt connected to the Lindsays because the original viola player of my group Domus, Robin Ireland, moved to become the viola...
After writing about my preparations for Monday's concert at Wigmore Hall with Erich Höbarth, I'm delighted to report that we had a wonderful time. In fact, it was one of my most favourite concerts of recent years. Erich was tremendous, and I felt that I was 'in the...