A friend and I have been discussing the career of a mutual friend who died recently. He was a fabulous musician who wasn't as well known as he should have been. Writers and visual artists can stay put in the place where they choose to live, and create their work...
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I have been keeping half an eye on the 2025 Van Cliburn piano competition in Texas, partly because when I was writing Women and the Piano I did a fair amount of research into the gender disparity one can see in the lists of piano competition prizewinners around the...
When you play a lot of Romantic piano music, you get used to the final notes being extended by a written pause. Composers like Chopin and Schumann often wanted the last chord to ring on gently (or triumphantly) while the mood of the piece hung in the air. We pianists...
I seem to have turned into the kind of person who stops what they're doing in the afternoon in order to tune into live Parliamentary debates about Brexit. Last week I spent several afternoons listening to politicians giving speeches, scripted and unscripted. Being a...
I did some guest teaching at the University of St Andrews the other day. During one of my sessions, a member of the audience asked an interesting question. I didn't know the answer and am still thinking about it. He said: 'I have some modern recordings of Baroque...
As the Brexit story accelerates, musicians are still in the dark about what will happen to their freedom of movement after we leave the EU. For two and a half years now I have been listening to colleagues and students worrying about whether they will still be able to...
The last live music I heard in 2018, outside my home, was some excellent jazz in a city bar (pianist Brian Kellock and bassist Kenny Ellis). The bar was buzzing with people enjoying long lunches and toasting the end of the year. Crockery clattered and the coffee...
My first American review of Speaking the Piano has just appeared in American Music Teacher (December 2018/Jan 2019). It's a relief to me to have the approval of professional teachers, for as I explain in the book my own experience of teaching has evolved slowly and...
In my new book Speaking the Piano, there's a chapter about the time I went to America in the 1980s to learn jazz piano. I loved learning about jazz, but didn't find a way into the jazz world at that time. One of the reasons was my feeling of discomfort at being a...
I was doing a radio interview the other day about my new book 'Speaking the Piano.' While waiting in the studio, I got chatting to the man on duty in reception. I was holding a copy of my book. He asked me what it was about, so I told him it was about learning music....
I was complaining last week to a fellow musician about the difficulty of getting students to reply to emails. 'You'd think they would reply to email precisely because it's so easy to click on 'reply' and write a few words', I said. 'I have exactly the same problem',...
I've been in London coaching young post-grad and professional chamber groups for ChamberStudio, a wonderful enterprise which provides mentorship and further training for instrumentalists who have 'finished studying' but still need or wish to have access to advice and...
I've been reading the 'Childhood Memories' (published 1958) of Giuseppe Tomasi de Lampedusa, the Sicilian aristocrat and author of 'The Leopard', an award-winning Italian novel published posthumously and later made into a film starring Burt Lancaster. Lampedusa's...
One of my summer projects has been to learn all the Chopin Nocturnes. Strangely enough I have never tackled them properly, and some of them, it turns out, I hardly knew even by ear. Getting to know them has given me tremendous respect for Chopin's compositional skills...
Last night I was on the BBC Radio 4 arts programme Front Row, taking part in a discussion about playing from memory. Presenter Stig Abell spoke to me and Torun Saeter Stavseng, principal cellist of the Aurora Orchestra, who are about to perform Shostakovich's 9th...