I have been keeping half an eye on the 2025 Van Cliburn piano competition in Texas, partly because when I was writing Women and the Piano I did a fair amount of research into the gender disparity one can see in the lists of piano competition prizewinners around the...
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When you play a lot of Romantic piano music, you get used to the final notes being extended by a written pause. Composers like Chopin and Schumann often wanted the last chord to ring on gently (or triumphantly) while the mood of the piece hung in the air. We pianists...
I've now finished working my way through the volume of Mozart piano sonatas (a sonata a day keeps the doctor away) and have started playing through Beethoven's again. The early Beethoven sonatas have made me think about what makes the difference between a theme and a...
I'm just back from a week at the Gaudier Ensemble's annual Cerne Abbas Music Festival in Dorset - my 25th year at the festival, I think. Some of the core players have been doing it for 28 years! But there are always new players and guest players, and this year we had...
I have been practising a lot of Schumann's music lately in preparation for various music festivals over the summer. It's always a pleasure to play Schumann and when you play a lot of different compositions, you get really into his way of thinking. His mindset feels...
I was away at the time of BBC Young Musician but have been catching up with the final instalments. As usual, I was tremendously impressed with the standard of playing in every instrumental category. Really, did my colleagues and I play as well as that when we were...
I'm back from chairing the jury at CIMCL, the Lyon International Chamber Music Competition. It was won by the Trio Messiaen from Paris, who swept the board with almost all of the available prizes. In 2nd place was the Trio Hélios, also from Paris, and in 3rd place was...
Over the last few days I have been checking the proofs of my new book, Speaking the Piano, due out in June from Boydell Press (see photo). Before we got to this point, there have been several other stages of editing. Various friends read the manuscript and gave their...
Just a month now until Winterplay, my mini-festival of chamber music in the Queen's Hall in Edinburgh. The weekend of six events is designed to bring in listeners of all ages. We start on the morning of 10 Feb with a children's 'music and movement' workshop run by...
I've been reading 'Tales and Travels of a School Inspector' by John Wilson, an account of travelling round the Highlands and Islands of Scotland in the Victorian era, in the years after the groundbreaking 1872 Education Act which gave every child between the ages of 5...
Today I was at a major exhibition, 'Ages of Wonder - Scottish Art from 1540 to now' at the Royal Scottish Academy of Art in Edinburgh (it's free, and very enjoyable). As I went round, reading the plaques which explained the artworks, I was struck by how often they...
Italian jazz pianist Rossano Sportiello was visiting Edinburgh from New York last night and I went to hear him. The jazz musicians in the audience ruefully acknowledged that Sportiello's elegant appearance had put them to shame. Beautifully pressed grey suit, pink...
The other night I went to hear a great Irish folk band, Lankum, at the Traverse theatre bar. I first came across them in a BBC Alba television programme when they were called 'Lynched', a name they have understandably ditched. Their talent stuck in my head, so when I...
Last week, when I was in Italy, I went to a concert of a well-known ensemble (I'll be discreet about who and where). Firstly I should say that the large audience appeared perfectly happy with the performance and applauded enthusiastically, but for me as a professional...
I'm reading Andrew Solomon's fascinating 'Far from the Tree', a 900-page study of parents 'who learn to deal with their exceptional children and find profound meaning in doing so'. Many of the chapters focus on conditions which are obviously challenging for families:...