I was at Steinway Hall in London the other day to try some pianos for a recording project later this year (of which more news soon). Chief technician Ulrich Gerharz had helped me - after discussing the repertoire and the venue - to whittle the choice down to two...
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I was lying awake in the night, with music playing in my head as it usually does when I'm awake in the wee small hours. Sometimes I set the music going consciously, as for example when I'm 'practising' something I'm currently trying to learn or memorise. At other...
Bob went to the wine shop and returned with a few bottles and a page of 'tasting notes' supplied by the shop. As usual I was charmed by the poetic way that wine producers describe their products. 'Notes of ripe, dark fruit, tobacco, chocolate and spice'. 'Delicate...
My first American review of Speaking the Piano has just appeared in American Music Teacher (December 2018/Jan 2019). It's a relief to me to have the approval of professional teachers, for as I explain in the book my own experience of teaching has evolved slowly and...
In my new book Speaking the Piano, there's a chapter about the time I went to America in the 1980s to learn jazz piano. I loved learning about jazz, but didn't find a way into the jazz world at that time. One of the reasons was my feeling of discomfort at being a...
I was doing a radio interview the other day about my new book 'Speaking the Piano.' While waiting in the studio, I got chatting to the man on duty in reception. I was holding a copy of my book. He asked me what it was about, so I told him it was about learning music....
I was complaining last week to a fellow musician about the difficulty of getting students to reply to emails. 'You'd think they would reply to email precisely because it's so easy to click on 'reply' and write a few words', I said. 'I have exactly the same problem',...
I've been in London coaching young post-grad and professional chamber groups for ChamberStudio, a wonderful enterprise which provides mentorship and further training for instrumentalists who have 'finished studying' but still need or wish to have access to advice and...
I've been reading the 'Childhood Memories' (published 1958) of Giuseppe Tomasi de Lampedusa, the Sicilian aristocrat and author of 'The Leopard', an award-winning Italian novel published posthumously and later made into a film starring Burt Lancaster. Lampedusa's...
One of my summer projects has been to learn all the Chopin Nocturnes. Strangely enough I have never tackled them properly, and some of them, it turns out, I hardly knew even by ear. Getting to know them has given me tremendous respect for Chopin's compositional skills...
Last night I was on the BBC Radio 4 arts programme Front Row, taking part in a discussion about playing from memory. Presenter Stig Abell spoke to me and Torun Saeter Stavseng, principal cellist of the Aurora Orchestra, who are about to perform Shostakovich's 9th...
I'm just back from a week at the Gaudier Ensemble's annual Cerne Abbas Music Festival in Dorset - my 25th year at the festival, I think. Some of the core players have been doing it for 28 years! But there are always new players and guest players, and this year we had...
I have been practising a lot of Schumann's music lately in preparation for various music festivals over the summer. It's always a pleasure to play Schumann and when you play a lot of different compositions, you get really into his way of thinking. His mindset feels...
I was away at the time of BBC Young Musician but have been catching up with the final instalments. As usual, I was tremendously impressed with the standard of playing in every instrumental category. Really, did my colleagues and I play as well as that when we were...
I'm back from chairing the jury at CIMCL, the Lyon International Chamber Music Competition. It was won by the Trio Messiaen from Paris, who swept the board with almost all of the available prizes. In 2nd place was the Trio Hélios, also from Paris, and in 3rd place was...