Tomorrow I'm playing a solo recital at the Lammermuir Festival, a lovely festival which takes place in various locations, sacred and secular, across the beautiful county of East Lothian in Scotland. I have practised my programme to the point of feeling a keen desire...
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The other day I came across an article called 'The Pianoforte Recital'. It was published in The Musical Times in 1911 - over a century ago. The author, Frederick Kitchener (himself a pianist), complained that piano recitals had become far too numerous, and that...
Last night I appeared at the Edinburgh International Book Festival, discussing my latest book with broadcaster Kate Molleson (see picture of me turning away from the piano after playing one of the pieces we were talking about). Conversation turned to the idea of...
During lunch in a tiny village in the forests of Le Sidobre, in Languedoc, we got into conversation with an elderly lady who told us that she spoke Occitan as a child, before she was required to learn French. At our request, she spoke some Occitan to us, the only time...
An exhibition of artistic sculptures based on pink garlic – how could I resist when I saw the poster outside the tourist office in Lautrec? Pink garlic is a local speciality, but despite its undoubted charms it didn't seem a promising material for sculpture. I...
The Ambialet piano course ended last night with concerts by the participants (see some of them in the photo). It never ceases to amaze me how people manage to raise their game in these circumstances, even though most of them find it a nerve-racking experience and...
An interesting conversation at lunch today about choosing music as a career despite the misgivings of one’s parents. Everyone at the summer school had had some form of The Conversation about whether music was an acceptable profession. Many recalled that they were...
Violinist Gidon Kremer has, I hope, set the cat among the pigeons with his decision to pull out of the Verbier Festival in Switzerland. His letter of explanation is long and somewhat rambling, but perhaps he did not have the time to make it shorter. In any case, his...
To the Royal Academy Summer Exhibition, where the first thing one sees is ‘Work no 998’ by Martin Creed, four chairs balanced on top of one another in a tapering pile, an orange office chair at the bottom, a child’s formica chair at the top. This is the kind of thing...
An interesting discussion with the NZ Trio who are visiting London this week from their native New Zealand. We were talking about the challenge of performing some of the very long works in the trio repertoire, such as the Schubert trios (40-50 minutes). Many of our...
To the First Night of the Proms last night, courtesy of some kind friends who had rented a box in the Royal Albert Hall. Benjamin Grosvenor, an excellent young British pianist who has only just turned 19, played Liszt’s second piano concerto with great finesse and...
At a Gaudier Ensemble rehearsal last week my colleagues, who come from various European countries, were discussing the unstoppable rise in pitch. Here in England we still tune to A=440 Hz, which has been ‘standard pitch’ since the mid-twentieth-century, though in the...
I'm in rural Dorset to take part in one of those thriving summer music festivals never mentioned in the Guardian's guide to same. This will be the 21st annual festival run by the Gaudier Ensemble; I've been 'at the piano' for eighteen of those years. Despite the...
We have a pair of resident blackbirds in our garden, and every day the male blackbird perches on the chimney and sings loudly, especially at dusk. He seems to have several ‘songs’ or sequences of phrases which he sings over and over. I’ve heard them hundreds of times,...
An interesting discussion with students about whether it’s right to ‘scale things up’ to 21st century tastes when playing 18th/19th century music. They had played Beethoven so powerfully and with such speed and ringing ‘attack’ that I found myself wondering whether...