I've been playing through Schubert's piano sonatas, starting with the early ones, which I admit I don't know very well. Like most people, I'm much more familiar with the late sonatas, considered some of his finest works. The sonatas I've played so far were written in...
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The other day when I was a little early for a meeting I climbed the steps to the Old Calton Burial Ground (see photo) to go and look at the monument to the philosopher David Hume. It's a kind of empty stone cylinder into which the sunlight shines, and is always...
A little while ago I wrote something about a piano piece by Robert Schumann, in which he had instructed the player to play 'con accurezza' - with accuracy. It still seems an amusing little moment because of the questions it raises. I came across another such moment...
At the weekend, several newspapers carried photos of thieves in China using chopsticks to pick people’s pockets as they browsed market stalls. The chopsticks are used essentially to make the thief’s fingers much longer and thinner – a sort of variant on the Edward...
I’ve been in Italy for a few days. One evening I went to a concert in the courtyard of a lovely historic building in Bologna. The Italians are so lucky to have so many of these theatrical spaces and the climate which makes it possible to sit there, in the balmy air,...
A friend was telling me about a piano recital he attended last year in the Wigmore Hall. During a Beethoven sonata, members of the audience were distracted by a low buzzing noise emanating from somewhere in the room, and judging by the pianist's increasingly cross...
I practise the piano in a room at the front of the house. People walk past in the street all the time, and I’ve always been amazed at how few of them turn their heads in the direction of the sound, or appear to notice it at all. I mentioned this recently to a concert...
A thoughtful letter today from a reader about recordings. He’s noticed that musicians often say they dislike the manicured, edited-to-within-an-inch-of-their-lives recordings of today, and prefer the more ‘natural’, warts-and-all approach of the earlier twentieth...
During lunch in a tiny village in the forests of Le Sidobre, in Languedoc, we got into conversation with an elderly lady who told us that she spoke Occitan as a child, before she was required to learn French. At our request, she spoke some Occitan to us, the only time...
An exhibition of artistic sculptures based on pink garlic – how could I resist when I saw the poster outside the tourist office in Lautrec? Pink garlic is a local speciality, but despite its undoubted charms it didn't seem a promising material for sculpture. I...
The Ambialet piano course ended last night with concerts by the participants (see some of them in the photo). It never ceases to amaze me how people manage to raise their game in these circumstances, even though most of them find it a nerve-racking experience and...
An interesting conversation at lunch today about choosing music as a career despite the misgivings of one’s parents. Everyone at the summer school had had some form of The Conversation about whether music was an acceptable profession. Many recalled that they were...
Violinist Gidon Kremer has, I hope, set the cat among the pigeons with his decision to pull out of the Verbier Festival in Switzerland. His letter of explanation is long and somewhat rambling, but perhaps he did not have the time to make it shorter. In any case, his...
To the Royal Academy Summer Exhibition, where the first thing one sees is ‘Work no 998’ by Martin Creed, four chairs balanced on top of one another in a tapering pile, an orange office chair at the bottom, a child’s formica chair at the top. This is the kind of thing...
An interesting discussion with the NZ Trio who are visiting London this week from their native New Zealand. We were talking about the challenge of performing some of the very long works in the trio repertoire, such as the Schubert trios (40-50 minutes). Many of our...