Tomorrow I'm playing a solo recital at the Lammermuir Festival, a lovely festival which takes place in various locations, sacred and secular, across the beautiful county of East Lothian in Scotland. I have practised my programme to the point of feeling a keen desire...
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The other day I came across an article called 'The Pianoforte Recital'. It was published in The Musical Times in 1911 - over a century ago. The author, Frederick Kitchener (himself a pianist), complained that piano recitals had become far too numerous, and that...
Last night I appeared at the Edinburgh International Book Festival, discussing my latest book with broadcaster Kate Molleson (see picture of me turning away from the piano after playing one of the pieces we were talking about). Conversation turned to the idea of...
Yesterday, when I was coaching at King's Place, we had a tea break between sessions. Some of the younger participants were airing their current dilemmas about fees and conditions. In particular, they were wondering aloud about their situation as young professionals:...
Inspired by a couple of recent articles about writers who were well-known in their lifetimes and forgotten afterwards, or never acknowledged at the time but discovered years later by accident (like Hans Keilson), I’ve been researching unusual repertoire in the hope of...
It's getting cold... When I was out for a walk on a chilly morning this week and saw this little round creature staring into the lake, I felt I was seeing a kindred spirit.
I’m excited about Sunday, my first day of teaching at ChamberStudio, the new venture at King’s Place in London. ChamberStudio offers high-level coaching for post-graduate and young professional chamber groups who don’t have access to regular tuition any more. As...
Bemused by all the talk about university degrees and their supposed link to salaries. Lord Browne’s report seems to assume that if you go to university you will inevitably have more earning power than non-graduates in the years ahead. In the performing arts, however,...
In the mysterious world of performance there aren't many markers of how far you've come, so it was a pleasure to walk into the backstage area at Wigmore Hall on Monday and see the Florestan Trio's photo on the wall of the stairwell (see right of picture). I have been...
In BBC Music magazine, Rebecca Franks muses on why the musicians who write books about their experience of music tend to be pianists. Read her article. It's a fascinating topic and one I'm often asked about. There are various possibilities: pianists are loners, and so...
The first concert of the new season for the Florestan Trio is on Tuesday 5 October at 7.30pm at Wigmore Hall, part of the Schumann bicentenary celebrations. What is it about Schumann which makes him such a favourite of musicians? He isn’t always a favourite at the box...
Yesterday I was at a conference about creativity in performance. There were many interesting speakers, several of whom told anecdotes to make their points clear. At one point we were talking about the curious blend of involvement and detachment that seems to be...
I'm in rainy Glasgow, half way through my fortnight on the jury of the triennial Scottish International Piano Competition. Obviously I can't say much as the competition is still in progress, but I can say how absorbing it's been to hear so many accomplished young...
Much discussion yesterday about Ben Goldacre’s ‘Bad Science’ column in the Guardian. This time he was reporting a piece of good science, a paper by Noola Griffiths which shows that young women violinists are judged more musical and more technically proficient if they...
Today's Glasgow Herald has an article about the Scottish International Piano Competition, which starts next week in Glasgow. I'm on the competition jury. The board of the competition have made some wise and welcome changes to the requirements, which we all hope will...