I have done an interview for the 'Brainland' podcast, a series 'where neuroscience, the arts and humanities mingle'. An old college friend, doctor and cellist Steve Brown, interviewed me about how I got started in music, how I got into chamber music, what motivates...
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Channel 4's series The Piano began its second series last night. It's always interesting to see the different playing styles of the pianists who put themselves forward to play a station piano in front of a crowd of listeners. Some of them play beautifully. However,...
On Monday there was a report in The Guardian about the benefits of being involved in music. This time it was, 'Playing a musical instrument or singing is linked to better memory in older age'. To my delight the next paragraph began, 'The piano was especially...
In the mysterious world of performance there aren't many markers of how far you've come, so it was a pleasure to walk into the backstage area at Wigmore Hall on Monday and see the Florestan Trio's photo on the wall of the stairwell (see right of picture). I have been...
In BBC Music magazine, Rebecca Franks muses on why the musicians who write books about their experience of music tend to be pianists. Read her article. It's a fascinating topic and one I'm often asked about. There are various possibilities: pianists are loners, and so...
The first concert of the new season for the Florestan Trio is on Tuesday 5 October at 7.30pm at Wigmore Hall, part of the Schumann bicentenary celebrations. What is it about Schumann which makes him such a favourite of musicians? He isn’t always a favourite at the box...
Yesterday I was at a conference about creativity in performance. There were many interesting speakers, several of whom told anecdotes to make their points clear. At one point we were talking about the curious blend of involvement and detachment that seems to be...
I'm in rainy Glasgow, half way through my fortnight on the jury of the triennial Scottish International Piano Competition. Obviously I can't say much as the competition is still in progress, but I can say how absorbing it's been to hear so many accomplished young...
Much discussion yesterday about Ben Goldacre’s ‘Bad Science’ column in the Guardian. This time he was reporting a piece of good science, a paper by Noola Griffiths which shows that young women violinists are judged more musical and more technically proficient if they...
Today's Glasgow Herald has an article about the Scottish International Piano Competition, which starts next week in Glasgow. I'm on the competition jury. The board of the competition have made some wise and welcome changes to the requirements, which we all hope will...
What a pleasure to hear the John Wilson Orchestra in their Rodgers and Hammerstein Prom, which I heard on television. John Wilson’s arrangements are simply spellbinding. His hand-picked orchestra, with many individually distinguished musicians playing in it, reminded...
I was in Italy last week and was lucky enough to be in Siena on the day the fragile mosaics of the cathedral floor were uncovered, as they are each summer for a short period. My photo shows one of the central mosaics, King David who was also a musician. The cathedral...
Went to the BP Portrait Award exhibition at the National Portrait Gallery, which was packed with visitors. The technical standard of painting in many of the portraits was astonishing. Skin, hair, eyelashes, veins were depicted with stunning realism and skill. In quite...
Walking over Waterloo Bridge the other evening I decided to pop into the Festival Hall. A very good Afro-Brazilian band was playing in the foyer and a large multi-cultural crowd, people of all ages, had gathered to listen. Many of the audience seemed to be South...
A gift arrives from America: a pianist colleague has kindly sent me Barbara Alex’s handsome new book about Hungarian piano professor Gyorgy Sebok, who died in 1999. Like all Sebok’s former students, I love to be reminded of how he spoke. He had a gift for aphorism...