This weekend my book Women and the Piano is reviewed by Diane Cole in the Wall Street Journal. I don't think my books have ever come to the attention of the WSJ before, so I am delighted to be included. Only subscribers can read the full review, but this link at least...
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A kind person in the US who subscribes to New Yorker magazine has alerted me to the fact that Women and the Piano is one of their selections in 'What We're Reading this Week - the best books out now, handpicked by our editors' (Subscriber newsletter, 8 May 2024) I...
Yesterday I signed a few books at the big Waterstones in Princes Street. For anyone outside the UK, Waterstones is a popular bookstore with branches nationwide and (in this case) a popular coffee shop on the top floor, with great views of Edinburgh Castle. Several...
Richard Osborne devotes a large part of his Music column in 'The Oldie' magazine (Summer 2010) to my new book. As I don't have a picture of the magazine I've chosen instead an illustration of an real oldie, one of the 700-year-old oaks in Richmond Park. Richard...
Two more reviews of my book 'Out of Silence' have appeared. As neither is online, here's a glimpse of what they said: ‘In my experience, highly gifted musicians often find it extremely difficult to articulate their ideas about music and reveal the secrets of their...
An exciting moment this afternoon: a friend called to say that he'd just read a review – the first one, in fact - of my new book in the Times Literary Supplement. I couldn’t find it online, so I ran down the road to the newsagent’s to buy a hard copy. Here’s a snippet...
A kind person at International Piano magazine has sent me, without comment, a copy of the May/June issue. It turns out to have a survey of recordings of Haydn’s ‘Gypsy Rondo’ piano trio. ‘The Florestan Trio … displays uncommon musical intelligence while refusing to...
On Saturday we attended the last night of Mark Morris Dance Group performing ‘L’Allegro, Il Penseroso ed il Moderato’ at the Coliseum. Readers will remember that Mark Morris is a hero of mine. Dance critics were in raptures about this show, but I still think that Mark...
A nice surprise today: Bob came back from a meeting with a magazine page brought along by a colleague. It was from the February issue of the leading French record magazine Diapason, one of whose editors had taken the new Cambridge Companion to Recorded Music as the...
A most unexpected and heartwarming New Year gift arrived today in the form of a comment made in a Times book review by the distinguished cellist Natalie Clein. Reviewing a new book on Bach’s cello suites, she muses on the difficulty of writing about music, and says,...
Still feeling cross that the Guardian, in its review of classical music in the past decade, did not say a single word about chamber music. Guardian writer Tom Service devoted almost his whole summary to opera and orchestral music. This happens year after year, no...
At last Gramophone, the UK's leading classical record magazine, has reviewed the Florestan Trio's latest Hyperion disc of Haydn Trios (volume 2). Here's an extract: 'The Florestan Trio display their customary virtuosity, elegance and caprice, once again capturing the...
When I got back from Lisbon this afternoon, I looked at my website statistics and saw that an awful lot of people had looked at the website on Saturday while I was away. I realised later that it must have been because of the Guardian’s heart-warming review that day of...
The critics of Gramophone magazine have been choosing their favourite discs of the year for the December issue, and Peter Quantrill has chosen the Florestan Trio's latest disc, of Haydn Trios (volume 2), as his personal favourite of 2009. He writes: 'I can't remember...
It’s a double-edged feeling when you come across something superb by someone you’ve never heard of. Happy to discover them, but sad that they seem to have fallen through the net of history. That’s how we felt on seeing ‘Alison’s House’, by the American playwright...